“It is difficult in no common degree to write anew concerning The Messiah,”1 said the music writer Henry F Chorley in 1859. The piece was, of course, 117 years old at the time, and there has only been more written on this landmark composition since. Handel’s Messiah is not just a popular classic, after all: it’s also a hugely important work.
William Christie and his ensemble Les Arts Florissants (or The blooming arts – a reference to an opera by Marc-Antoine Charpentier) visited the Hungarian capital to perform Handel’s Messiah in the exceptional acoustics of the Béla Bartók National Concert Hall.
****1
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
