Antoine Tamestit reflects on a much misunderstood work, initially rejected by Niccolò Paganini, and how he learnt to breathe life into the role of Byron's "Childe Harold".
Last night’s concert programme read like the travelling itinerary of a young English aristocrat embarking on the fashionable “Grand Tour” of Europe. The concert began in Spain with Rodrigo’s Fantasia para un gentilhombre, a piece as imbued with the flavours of Spanish folk music as his more famous Concierto de Aranjuéz, also for guitar and orchestra.
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