Principal contrabassist of the Royal Stockholm Philharmonic Orchestra talks about why Mahler’s restless and volatile First Symphony is a highlight of any orchestra season.
Two programmes, four works, and nothing written before 1880: the Royal Concertgebouw Orchestra and their chief conductor Mariss Jansons certainly know how to play to their strengths on tour. What strengths they are, too. This orchestra generates a uniquely warm sound, maintains scrupulously clean textures, and possesses technical skills that surpass even the finest of other orchestras.
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