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Work: Violin Concerto no. 2, Sz 112

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Fact file
ComposerBartók, Béla (1881-1945)
Period20th century
Work typeOrchestral
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MontrealVasily Petrenko and Prokofiev's Romeo and Juliet

Nielsen, Bartók, Prokofiev
Orchestre symphonique de Montréal; Vasily Petrenko; Todd Cope; Gil Shaham

AtlantaMidori and Bartók

Haydn, Bartók, Prokofiev
Atlanta Symphony Orchestra; Nicholas Carter; Midori

KennesawMidori and Bartók at KSU

Haydn, Bartók, Prokofiev
Atlanta Symphony Orchestra; Nicholas Carter; Midori

DijonLe Mandarin merveilleux

Le Mandarin merveilleux
Kodály, Bartók
Les Dissonances; David Grimal

LondonLSO/Half Six Fix: Varèse & Bartók

© Felix Broede
Varèse, Bartók
London Symphony Orchestra; François-Xavier Roth; Isabelle Faust
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Eloquent Bartók and emphatic Bruckner at the Elbphilharmonie

Alan Gilbert © Peter Hundert
Augustin Hadelich is an authoritative interpreter in Bartók's Second Violin Concerto, while Alan Gilbert and the NDR Elbphilharmonie Orchester never quite succeed in scaling the heights of Bruckner 7.
***11
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Three concertos for the price of one in Monte-Carlo

Renaud Capuçon, Péter Eötvös and the BBCSO © Alain Hanel
Renaud Capuçon shines in Bartók's two Violin Concertos, together with a strong Concerto for Orchestra from the BBCSO and Péter Eötvös, at the Festival Printemps des Arts de Monte-Carlo.
****1
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Alert and refined: LSO on top form under François-Xavier Roth

François-Xavier Roth © Holger Talinski
Celebrating Debussy on the 100th anniversary of his death, this programme played to the strengths of the LSO under the energetic direction of François-Xavier Roth.
*****
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Trippy dreams from Kochanovsky and RTÉ NSO

Stanislav Kochanovsky © Askonas Holt
A seductive Debussy, a spikey Bartók violin concerto and a scintillating Berlioz: Kochavonsky and NSO join forces with violinist Sokolov.
***11
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Bartók and Shostakovich with power and precision in Melbourne

Alina Ibragimova © Eva Vermandel
Pitch-perfect Bartók by Ibragimova and a boldly expansive reading of Shostakovich's Fifth by Hrůša made for an insightful evening's reflection on musical early modernity.
****1
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