Welsh National Opera Orchestra

Berlioz had a rather trying time while he was composing Symphonie fantastique. Here, we take a look at his amorous obsessions. 

Sir Roger Norrington explores the history of “the first truly Romantic score in history” and recounts his experiences performing it. 

Gareth Davies, Principal Flute of the London Symphony Orchestra, talks about the furious scramble to keep up with Colin Davis performing Berlioz’s great hallucinatory symphony.

Rivaux, indépendant ou unis, texte et musique ont entretenu au cours du temps, des relations versatiles. Retour sur cinq œuvres charnières, qui ont bouleversé les rapports texte-musique.