Las siete últimas palabras en el fortepiano de Mahúgo

By Leonardo Mattana Ereño, 06 July 2024

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“hizo cantar al instrumento en una obra en la que la música tiene que describir palabras sin usarlas”

Reviewed at Real Monasterio de San Jerónimo, Granada on 6 July 2024

Haydn, The Seven Last Words of Christ, Hob XX

Yago Mahúgo, Fortepiano

Jurowski marks Hans Werner Henze’s centenary at the Elbphilharmonie

Mengguang Huang, 31st May

Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin deliver a lean, razor-sharp exploration of captivity and survival, balancing Beethoven’s and Brahms’ structural clarity against the devastating, high-fidelity distortion of Henze’s Ninth Symphony.

****1

Kissin, Bell and Isserlis: remembrance and loss at Carnegie Hall

Edward Sava-Segal, 31st May

Solomon Rosowsky, Shostakovich and Tchaikovsky form a matinee programme whose deeper connections gradually came into focus.

****1

Mischievous Pan at Hong Kong Sinfonietta’s French May

Christopher Halls, 30th May

French clarinettist Raphaël Sévère unearths beauty in Nielsen’s concerto and the Hong Kong Sinfonietta impress in two settings of Pan’s antics at the French May Festival.

****1

Alsop conducts a substitute Marsalis symphony at Carnegie Hall

David Wolfson, 29th May

The premiere of Wynton Marsalis’ Symphony no. 5 is postponed, substituted by selections from his Jungle Symphony, along with a disappointing Beethoven’s Seventh at Carnegie Hall.

***11

It's a hero's life for Gustavo Dudamel at Disney Hall

Néstor Castiglione, 29th May

Dudamel closes in on the end of his Disney Hall tenure in heroic style with Richard Strauss' tone poem, Ein Heldenleben.

****1

An azure secret: Yunchan Lim’s star power at Wigmore Hall

Asher Rubenstein, 29th May

The Korean pianist astonishes in Schubert and Scriabin, in a performance sure to be a highlight of Wigmore Hall’s 125th anniversary festivities.

*****

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Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.

La emoción interior en Las siete últimas palabras de Cristo en la Cruz en el fortepiano de Mahúgo