Musicalidad y virtuosismo al servicio de Bach: Nicolas Altstaedt

By Jorge Baeza Stanicic, 24 April 2018

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Reviewed at Auditorio Nacional de Música, Madrid on 21 April 2018

Bach, Cello suite no. 1 in G major, BWV1007

Bach, Cello suite no. 2 in D minor, BWV1008

Bach, Cello suite no. 3 in C major, BWV1009

Bach, Cello suite no. 4 in E flat major, BWV1010

Bach, Cello suite no. 5 in C minor, BWV1011

Bach, Cello suite no. 6 in D major, BWV1012

Nicolas Altstaedt, Cello

Gemma New the LPO: a blockbuster night on the Southbank

Susannah Moody, 12th November

The LPO tackled California wildfires and star-crossed lovers in a theatrical evening at the Royal Festival Hall.

*****

Revelatory Philharmonia debut from Tabita Berglund at the Anvil

David Truslove, 28th May

Superbly responsive performances of standard repertoire given a new lease of life by a young Norwegian conductor in Basingstoke.

*****

German efficiency, Hungarian goulash, Turkish delight

Peter Quantrill, 2nd June

A cello concerto by CPE Bach headlines Nicolas Altstaedt's appearance at the Istanbul Music Festival with the Munich Chamber Orchestra.

****1

Guggeis brings sensitivity to Strauss at the Staatsoper Berlin

Edward Sava-Segal, 6th May

A young conductor and a venerable orchestra unite in Berlin for three 20th-century works, covering vastly different soundscapes.

****1

A triple serving of Salome from Fabien Gabel in Detroit

Phillip Nones, 22nd April

The French conductor leads a “Salome-centric” concert high on drama and color, joined by Nicolas Altstaedt in presenting a cello concerto new to American audiences.

****1

A splendid night of 20th-century cello music with Nicolas Altstaedt and Aleksandar Madžar

Zoltán Szabó, 11th September

The first programme of Nicolas Altstaedt and Aleksandar Madžar for their tour around Australia offered an insightful selection of 20th-century chamber music masterpieces.

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

Altstaedt ofrece en Madrid una interpretación memorable de las Suites de chelo