Barragán, Wildschut y Wiesensee en la Sociedad Filarmónica de Valencia

By Daniel Martínez Babiloni, 17 December 2025

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“destacaron la tersura de la mezza voce del inicio y la vocalidad expansiva de la melodía”

Reviewed at Palau de la Música: Sala Rodrigo, Valencia on 2 December 2025

Bartók, Contrasts, Sz 111

Brahms, Clarinet Sonata no. 2 in E flat major, Op.120 no.2

Brahms, Violin Sonata no. 1 in G major, Op.78

Schoenfield, Trio for Violin, Clarinet, and Piano

Pablo Barragán, Clarinet

Noa Wildschut, Violin

Amadeus Wiesensee, Piano

The Davos Festival pays tribute to Britten and Bosmans

Sarah Batschelet, 18th August

The wide-ranging programme, titled "Glitter and Be Gay!", highlights the work of two composers who were open about their sexual orientations at a time when few contemporaries came out.

****1

Youthful Debussy and mature Schubert at the Mortizburg Festival

Cameron Kelsall, 26th August

Intrepid chamber musicians braved wild weather to deliver a stirring performance of Schubert's String Quintet in C major, alongside early works from Prokofiev and Debussy.

***11

Alexandre Bloch bids a fond farewell to Orchestre National de Lille

Clare Varney, 10th July

After eight years, Music Director Alexandre Bloch conducts Brahms in the Concertgebouw, Amsterdam, with Noa Wildschut at the soloist in Bruch's First Violin Concerto.

***11

Lush Holmès, youthful Mendelssohn and thrilling Berlioz from Gabel

David Smythe, 27th May

Last minute step-in Noa Wildschut gives a thoughtful Mendelssohn Violin Concerto, before a thrilling Symphonie fantastique from the RSNO.

****1

Confounding expectations: Richard Farnes, Noa Wildschut and the RPO

Alexander Hall, 29th September

How do you like your Tchaikovsky and Sibelius? Great music admits of several approaches, often challenging traditional views. Noa Wildschut's violin and the RPO under Richard Farnes show why expectations are not always met.

***11

Zemlinsky's Mermaid thrills in Liverpool

Rohan Shotton, 2nd May

Vasily Petrenko conducts Zemlinsky, Mendelssohn and Bruch in Liverpool.

****1

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Daniel Martínez Babiloni

Daniel Martínez Babiloni cursa estudios de Máster de Musicología Aplicada en la Universidad de La Rioja, donde se licenció en Historia y Ciencias de la Música. Sus preferencias de estudio se centran en el clarinete, la música actual, la música popular urbana y las bandas de música. Sus artículos han sido publicados por la Universitat de València, Universitat Politècnica de València y la Sociedad Española de Musicología. Colabora con instituciones como el Institut Valencià de Cultura, Palau de la Música de València, Festival Internacional de Santander, así como con diferentes revistas y diarios. Es Profesor Superior de Clarinete y Maestro de Educación Musical.

El trío Barragán, Wildschut y Wiesensee muestran el sutil nexo de la música folclórica centroeuropea