Jean Rondeau ou l’interprétation passionnée de Rameau et Royer

By Lucie Pierron, 11 March 2016

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“Fidèle à lui-même, avec son air concentré, plein de détachement et d’espièglerie.”

Reviewed at Salle Cortot, Paris on 8 March 2016

Works by Royer

Works by Rameau

Jean Rondeau, Harpsichord

Dances without movement: Couperin reconsidered by Jean Rondeau

Mengguang Huang, 31st January

Jean Rondeau’s anniversary tribute to Louis Couperin reveals a refined but inward-looking aesthetic – beautifully controlled, yet ultimately lacking the rhetorical energy, physicality, and communicative spark essential to this music.

**111

In at the deep end for harpsichordist Jean Rondeau in Lucerne

Stephen Pritchard, 7th February

Lucerne’s new festival “Le Piano Symphonique” showcases the orchestral qualities of the piano... and the harpsichord, with a recital in what was once a swimming pool!

****1

Jean Rondeau illuminates La Chaux-de-Fonds with “Melancholy Grace”

Elodie Olson-Coons, 11th November

French harpsichordist Jean Rondeau’s showcase of late Renaissance music shines.

*****

Strangers in the night: Poulenc makes a rare visit to Paris

Mark Pullinger, 10th March

Corinna Niemeyer conducts the Orchestre de Paris, which had never played Poulenc's Concert champêtre before, and had only given one performance each of the Sinfonietta and Organ Concerto. Incroyable !

***11

Captivating command and a striking Risser première from Jean Rondeau

Nick Boston, 23rd July

A striking première by Eve Risser following Jean Rondeau’s captivating display of the virtuosic heights of French Baroque harpsichord writing.

****1

Maurice Steger thrills with his virtuosic wizardry

Nahoko Gotoh, 3rd July

Maurice Steger brought this essential but under-represented instrument from Renaissance and Baroque chamber and ensumble music to a mainstream concert hall.

*****

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Lucie Pierron

Étudiante en sociologie et en sciences politiques, pianiste et choriste, Lucie n’a jamais cessé de s’intéresser à la musique classique et contemporaine. Actuellement en Pologne, elle réalise une étude sur les nouvelles salles de musique classique qui ont ouvertes depuis 2011.