John Adams fêté comme il se doit à Genève : en star !

By Thomas Muller, 05 September 2016

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“Une vraie science de l’instrumentation, loin de toute modernité stérile.”

Reviewed at Victoria Hall, Geneva on 2 September 2016

Adams, Short Ride in a Fast Machine

Adams, Shaker Loops

Adams, Scheherazade.2

Orchestre de la Suisse Romande

Leila Josefowicz, Violin

John Adams, Conductor

Bal Impérial & Boléro: multi-layered work challenges in Geneva

Daniel Pratt, 19th November

The premiere of Bal Impérial by Sidi Larbi Cherkaoui challenges and interrogates to great effect in Geneva.

****1

Nott shapes a visceral arc with the Orchestre de la Suisse Romande

SangKwon Lee, 6th July

Fragmentation to ritual: this was no Rite of Spring of two halves but a single, vast architectural crescendo.

****1

Penthouse decadence for a shattering new Salome in Geneva

Mark Pullinger, 22nd January

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

*****

An arthouse staging for Messiaen's testament of beauty in Geneva

Peter Quantrill, 11th April

Installation art sounds a dissonant note with the sublime harmony of Saint François d’Assise in Adel Abdessemed's creation at the Grand Théâtre de Genève.

****1

Justice in Geneva: musically appealing but missing its mark

David Karlin, 22nd January

Director Milos Rau, composer Hèctor Parra and librettist Fiston Mwanza Mujila put the operatic spotlight on the fight for justice after a mining disaster in the DRC, with mixed results.

**111

Golden Age Spain meets Soviet Russia in Geneva’s season opener

Laura Servidei, 15th September

A grand rendition of Verdi’s Don Carlos opens season at the Grand Théâtre de Genève under the inspired baton of Marc Minkowski, in his first encounter with the opera, directed by Lydia Steier.

***11

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Thomas Muller

Podologue spécialisé en Education Thérapeutique du Patient et Diabétologie, chanteur, administrateur de choeur, fondateur d'orchestre et ancien hautboïste amateur, Thomas est passionné de musique et particulièrement vocale. Toujours sensible aux timbres des orchestres et de la capacité des musiciens de développer un chant musical qui provoque chez l'auditeur une émotion vraie, en dehors de tout intellectualisme.