Haïm Lipsky ou le pouvoir salvateur de la musique

By Chloë Richard-Desoubeaux, 10 July 2014

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“Un spectacle qui redonne foi en l’humanité et réaffirme le pouvoir de la musique”

Reviewed at Salle Gaveau, Paris on 27 April 2014

Garutti, Haïm, à la lumière d'un violon

Natacha Régnier, Actor

Naaman Sluchin, Violin

Dana Ciocarlie, Piano

Alexis Kune, Accordion

Samuel Maquin, Clarinet

Dana Ciocarlie main dans la main avec Schumann au Théâtre des Champs-Élysées

Julien Hanck, 21st October

On sait à quel point la Roumanie est une terre d’élection du plus grand piano et Dana Ciocarlie ne dément pas de cette tradition.

Text and textures in New York premieres by The Crossing at Zankel Hall

David Wolfson, 24th March

Donald Nally’s much vaunted chamber choir The Crossing give a program of three New York premieres at Zankel Hall.

****1

Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Guitars, electronics and ancient treatises: the JACK Quartet at 92NY

Kurt Gottschalk, 20th March

At 92NY, the JACK Quartet performs four new works developed in their JACK Studio, including a commissioned premiere from the electrifying Tristan Perich.

****1

Kristiina Poska makes an exciting return to conduct the RSNO

Simon Thompson, 20th March

Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.

***11

Chopin and Franck reframed with elegance and insight in Dublin

Andrew Larkin, 20th March

In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.

****1

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Chloë Richard-Desoubeaux

Etudiant la musicologie au Conservatoire National Supérieur de Paris, Chloë Richard-Desoubeaux est également co-fondatrice d’un ensemble de musique baroque, l’Ensemble Connexions. Professeur de violon, elle joue aussi de la flûte à bec et s’intéresse particulièrement aux répertoires anciens, du Moyen-Age à l’époque baroque.