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Soirée Peck/Balanchine à l'Opéra de Paris : récurrente grammaire américaine

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“a grammaire est américaine mais la prononciation est teintée d'un fort accent français”
Reviewed at Opéra national de Paris: Opéra Bastille, Paris on 2 July 2016
New Work (Justin Peck)
Brahms- Schoenberg Quartet (George Balanchine)
Ballet de l'Opéra de Paris
Musiciens de l'Orchestre de l'Opéra national de Paris
NYCB: Ratmansky’s The Naked King is not satire, but good fun
****1
Irresistible: Justin Peck’s The Wind-Up premieres at NYCB
****1
The Royal Ballet in Perspectives: a diverse and challenging triple
****1
Few signs of heat in a mixed bill at New York City Ballet
***11
Atlanta Ballet showcases impressive range in Balanchine & Peck program
****1
NYCB: Justin Peck revisits the familiar in Mystic Familiar
****1
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