Post-romantisme à Rome

By Arnaud Saura-Ziegelmeyer, 02 December 2014

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“L'orchestre se soulève à la simple force de la baguette”

Reviewed at Auditorium Parco della Musica di Roma: Sala Santa Cecilia, Rome on 29 November 2014

Smetana, The Bartered Bride: Overture

Dvořák, Cello Concerto in B minor, Op.104

Dvořák, From the Bohemian Forest (Ze Sumavy): Silent Woods, Op.68 no.5

Bartók, The Miraculous Mandarin, Op.19, Sz 73

Orchestra dell'Accademia Nazionale di Santa Cecilia

Juraj Valčuha, Conductor

Enrico Dindo, Cello

Yunchan Lim, Daniel Harding and the Santa Cecilia in Seoul

SangKwon Lee, 4th December

Daniel Harding and the Orchestra dell’Accademia Nazionale di Santa Cecilia choose proportion over spectacle as their Asian tour reaches Seoul.

****1

Sir Antonio Pappano returns to Santa Cecilia for Mozart and Bruckner

Pia Maltri, 30th October

Now Director Emeritus of the Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Antonio Pappano conducts the rarely heard Mass in F minor by Anton Bruckner.

****1

Lorenzo Viotti conducts the death and rebirth of Spring in music

Alissa Balocco, 8th February

The Swiss conductor returns to the Accademia Nazionale di Santa Cecilia, presenting a triptych of pieces by Schumann, Debussy and Zemlinsky inspired by the season of renewal.

****1

Bereft blues as the Santa Cecilia and Hrůša play at Prague Spring

Frank Kuznik, 18th May

Lackluster Gershwin undercuts an otherwise impressive outing by Jakub Hrůša and the Orchestra dell’Accademia Nazionale di Santa Cecilia.

****1

Kirill Gerstein: a Mozartian master with the Santa Cecilia

Alissa Balocco, 25th January

The pianist enchants the audience with Mozart's Piano Concerto no. 20 in D minor, conducted by Leonidas Kavakos.

***11

Pappano and Levit take the Santa Cecilia on an incredible journey

Alissa Balocco, 2nd November

Levit offers impeccable Beethoven, while Pappano enchants the Rome audience with Cherubini and Sibelius.

****1

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Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.

L’Auditorium de Rome à l’heure post-romantique avec Juraj Valcuha et Enrico Dindo