Le Fantastique en offrande

By Beate Langenbruch, 23 November 2015

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“L’auditeur est comme au centre d’une scène de séduction tout sauf futile.”

Reviewed at Auditorium de Lyon: Grand Hall, Lyon on 20 November 2015

Weber, Oberon: Overture

Chopin, Piano Concerto no. 2 in F minor, Op.21

Falla, The Three Cornered Hat

Falla, El amor brujo (Love, the Magician) for orchestra and mezzo

Barcelona Symphony Orchestra and National Orchestra of Catalonia

Michał Nesterowicz, Conductor

Nelson Freire, Piano

José Mor, Cello

Haydn, Sor and Mozart return live in Barcelona

Laurence Vittes, 8th July

Mozart's Clarinet Concerto started out naively impetuous, quick, breathless as if on the way to an assignation

****1

Ono/OBC: Compelling Respighi and Bartók, disappointing Brahms

David Karlin, 5th October

It's a game of two halves in Barcelona from Kazushi Ono and the Orquestra Simfònica de Barcelona i Nacional de Catalunya.

***11

Turandot in Tokyo: A bold reimagining of the ending

Nahoko Gotoh, 18th July

Alex Ollé focuses in the princess's trauma to provide a back story for Puccini’s problematic last opera; Eri Nakamura captivates the New National Theatre audience.

****1

Zimmermann's Bach and Schumann stand out in Barcelona

Pep Gorgori, 15th December

This season, the Orquestra Simfònica de Barcelona i Nacional de Catalunya (OBC) is turning its eyes towards Bach, whilst at the same time programming the usual great symphonic repertoire, as well as contemporary composers. Here, Kazushi Ono gathered a Bach concerto (transcribed for violin), a rarely-performed work by Schumann and Richard Strauss’ Also sprach Zarathustra.

***11

Julian Rachlin thrills in Tchaikovsky's concerto in Barcelona

Pep Gorgori, 30th September

The bonds between Kazushi Ono and the OBC musicians are slowly improving.

****1

Bach dressed by other composers in Barcelona

Pep Gorgori, 28th April

Bach presented in various orchestral transcriptions made for a powerful, entertaining evening in Barcelona.

****1

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Beate Langenbruch

Incapable de départager musique et littérature dans sa vie, Beate a décidé de se consacrer passionnément aux deux. La maîtresse de conférences en littérature française (Moyen Âge) et soprano allemande parcourt le monde pour ses recherches comme pour chanter, avec son trio de musique de chambre, en soliste ou en choeur. Ses années d'expériences instrumentales (piano, flûte, guitare) n'ont que très modérément entravé son amour inconditionnel de la voix et du répertoire choral en particulier.