The Sleeping Beauty is perhaps the Ugly Duckling of Tchaikovsky’s three ballets. It was the second in the trilogy, completed in 1889, but has neither the dramatic thrust of Swan Lake nor the calorific sugar-coated charm of The Nutcracker in terms of popular appeal.
Closer to Matthew Bourne than Marius Petipa, Christian Spuck's Sleeping Beauty is full of invention, captivating the audience in numerous, unexpected ways.
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