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Performer: Rufus Didwiszus

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BerlinLa bohème

© Jan Windszus Photography
Puccini: La bohème
Jordan De Souza; Barrie Kosky; Komische Oper Berlin; Rufus Didwiszus; Victoria Behr; Chor der Komischen Oper Berlin; Orchester der Komischen Oper Berlin

Los AngelesLa bohème

Puccini: La bohème
James Conlon; Barrie Kosky; LA Opera; Rufus Didwiszus; Victoria Behr; Saimir Pirgu; Marina Costa-Jackson

ZürichDas Mädchen mit den Schwefelhölzern (The Little Match Girl)New production

Das Mädchen mit den Schwefelhölzern (The Little Match Girl)
Lachenmann: Das Mädchen mit den Schwefelhölzern (The Little Match Girl)
Christian Spuck; Ballett Zürich; Matthias Hermann; Rufus Didwiszus; Emma Ryott; Martin Gebhardt

StrasbourgUn violon sur le toit

Un violon sur le toit
Bock: Fiddler on the Roof
Koen Schoots; Barrie Kosky; Opéra National du Rhin; Rufus Didwiszus; Klaus Bruns; Olivier Breitman; Jasmine Roy

MulhouseUn violon sur le toit

Un violon sur le toit
Bock: Fiddler on the Roof
Koen Schoots; Barrie Kosky; Opéra National du Rhin; Rufus Didwiszus; Klaus Bruns; Olivier Breitman; Jasmine Roy
Latest reviewsSee more...

When death is an old-fashioned portrait

Nadja Mchantaf (Mimì), Günter Papendell (Marcello) and Vera-Lotte Böcker (Musetta) © Iko Freese | drama.berlin.de
The new version of La bohème at the Komische Oper Berlin follows a hard Verismo-beat.
****1
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The Nutcracker and the Mouse King: A redesign in Zürich

Yen Han and Matthew Knight (Clowns) and William Moore (Nutcracker), Nutcracker and the Mouse King © Gregory Batardon
In Zurich, ballet director Christian Spuck recently launched the second season of the multi-layered ballet he choreographed to the great P.I. Tchaikovsky score.
****1
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On longing and abandonment: Spuck’s Winterreise premieres in Zurich

Dancers of the Zurich Ballet in Spuck's Winterreise © Gregory Bartadon
Christian Spuck, Zurich’s ballet director has crafted a new version of Hans Zender’s adaptation of Die Winterreise
****1
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A florid perversity: Barrie Kosky fires up Die Gezeichneten in Zurich

John Daszak Alviano) © Monika Rittershaus
Barrie Kosky’s production of Franz Schreker’s Die Gezeichneten (The Branded) is in keeping with what was long considered one of the early 20th century’s most scandalous works. 
****1
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Fiddler on the Roof returns to the Komische Oper

Max Hopp (Tevye) © Iko Freese | drama-berlin.de
“Fiddler on the Roof” as a universal parable of tradition 
*****
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