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Christian Spuck's enigmatic Winterreise revived by Ballett Zürich
Christian Spuck gives choreographic identity to Hans Zender's composed interpretation of Franz Schubert's Winterreise.
Technology to the rescue in Zurich's new staging of Boris Godunov
The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether.
A long road to nowhere for Igor at the Bastille
Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.
Down with bourgeoise indifference: a new ballet in Zurich
In the Zurich premiere of The Little Match Girl, choreographer Christian Spück tackles a project of major proportions.
A blast of a Berlin Bohème in Hollywood
Barrie Kosky's stark, spare La bohème gave it a rare spark of humanity focused on Marina Costa-Jackson's haunting Mimì, whose existence became the central focus even when she wasn't singing.
Au fait with Orphée: Salzburg celebrates Offenbach's bicentenary
The Salzburg Festival's production of Offenbach's Orpheus in the Underworld is another classic in the making from Barrie Kosky.