Sacha Evans is an American critic with a focus on vocal music, particularly Baroque opera. She is a communications consultant by day, culture vulture by night. She currently resides in New York City and sings with the Manhattan Choral Ensemble. Learn more about her at: http://sachaevans.com
Interpreten sprechen oft von ekstatischen Momenten. Doch die Ekstase reicht nicht immer über den Bühnenrand hinaus. Dieser Abend zeigte eine außergewöhnliche Leistung darin, diesen Graben zu überbrücken.
What’s next for the outgoing Music Director of the New York Philharmonic? It’s unclear. But this program reflected both his legacy and the gifts he will carry down the road.
In Anna Bolena, Sondra Radvanovsky plays a queen who loses her crown. But she approaches a different coronation: as the first to play three of Donizetti's Tudor Queens at the Met.
Haydn’s late, lofty achievement has the august quality of a masterwork, coupled with cheerfulness befitting a summer series that ends in the month of August.
Today, Vivaldi’s operas remain rarities. The American première of Cato in Utica at the Glimmerglass Festival (located an hour south of Utica, NY) attempted to elevate this little explored corner of Baroque repertoire.
