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Der Schmied von Gent

Opera Vlaanderen, AntwerpFrankrijklei 3, Antwerp, 2000, Belgien
Datum/Zeit in Brussels Zeitzone
Donnerstag 11 Februar 202720:00
Sonntag 14 Februar 202715:00
Mittwoch 17 Februar 202720:00
Samstag 20 Februar 202720:00
Dienstag 23 Februar 202720:00
Freitag 26 Februar 202720:00
Sonntag 28 Februar 202715:00
Darsteller
Opera Ballet Vlaanderen
Martijn DendievelMusikalische Leitung2027 Feb 11, 14 mat, 20, 23, 26, 28 mat
Jef SmitsMusikalische Leitung2027 Feb 17, 26
Ersan MondtagRegie, Bühnenbild
Josa MarxKostüme
Rainer CasperLicht
Symfonisch Orkest Opera Ballet Vlaanderen
Koor Opera Vlaanderen
Till BrieglebDramaturgie
Piet De VolderDramaturgie
Jan SchweigerChorleitung
Hendrik DerolezChorleitung
Kinderkoor Opera Vlaanderen
Evangelos PapaefstathiouBass
Mark Ellis GoughBariton
Jung-Kun OhBass
Erik DelloTenor
Scott HendricksBaritonSmee
Kai Rüütel-PajulaMezzosopranHis wife
Vuvu MpofuSopranAstarte
Christopher DiffeyTenorSlimbroek
Daniel ArnaldosTenorFlipke
Timothy VeryserTenorThe executioner
Tobias LusserBaritonDuke of Alba
Ivan ThirionBassSt Joseph as a citizen in a poor outfit
Rosa SparksSopranHis wife Mary with child
Justin HopkinsBassSt Peter

The story of Franz Schrekers’ ‘magical opera’ Der Schmied von Gent, based on a Légende flamande by Charles de Coster, begins on Ghent’s Ajuinlei. De Coster transposed the ancient folk tale of Smidje Smee to the period of Spanish rule in Flanders in the 16th century. Smee is the most powerful blacksmith in Ghent, who does good business with the occupiers but has never renounced his past as a freedom fighter and a ‘geus’ (rebel). He is betrayed and loses his smithy. Then the devil makes him a tempting offer: seven years of abundance, happiness and unlimited production… Smee, initially a victim of repression, becomes an oppressor and coloniser himself. Opera Ballet Vlaanderen revives the successful production with which the German star director Ersan Mondtag made his opera debut in 2020. In his own visually flamboyant style, he presents a daring political interpretation of a work that the German Nazi regime labelled ‘degenerate’. In unexpected ways, Mondtag draws parallels with the dark chapters of our own colonial history.

Rezensionen von Der Schmied von Gent inszeniert von Ersan Mondtag

Opera Ballet Vlaanderen