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Der Schmied von Gent

Opera Vlaanderen, AntwerpFrankrijklei 3, Antwerp, 2000, Belgium
Dates/times in Brussels time zone
Thursday 11 February 202720:00
Sunday 14 February 202715:00
Wednesday 17 February 202720:00
Saturday 20 February 202720:00
Tuesday 23 February 202720:00
Friday 26 February 202720:00
Sunday 28 February 202715:00
Performers
Opera Ballet Vlaanderen
Martijn DendievelConductor2027 Feb 11, 14 mat, 20, 23, 26, 28 mat
Jef SmitsConductor2027 Feb 17, 26
Ersan MondtagDirector, Set Designer
Josa MarxCostume Designer
Rainer CasperLighting Designer
Symfonisch Orkest Opera Ballet Vlaanderen
Koor Opera Vlaanderen
Till BrieglebDramaturgy
Piet De VolderDramaturgy
Jan SchweigerChoirmaster / chorus director
Hendrik DerolezChoirmaster / chorus director
Kinderkoor Opera Vlaanderen
Evangelos PapaefstathiouBass
Mark Ellis GoughBaritone
Jung-Kun OhBass
Erik DelloTenor
Scott HendricksBaritoneSmee
Kai Rüütel-PajulaMezzo-sopranoHis wife
Vuvu MpofuSopranoAstarte
Christopher DiffeyTenorSlimbroek
Daniel ArnaldosTenorFlipke
Timothy VeryserTenorThe executioner
Tobias LusserBaritoneDuke of Alba
Ivan ThirionBassSt Joseph as a citizen in a poor outfit
Rosa SparksSopranoHis wife Mary with child
Justin HopkinsBassSt Peter

The story of Franz Schrekers’ ‘magical opera’ Der Schmied von Gent, based on a Légende flamande by Charles de Coster, begins on Ghent’s Ajuinlei. De Coster transposed the ancient folk tale of Smidje Smee to the period of Spanish rule in Flanders in the 16th century. Smee is the most powerful blacksmith in Ghent, who does good business with the occupiers but has never renounced his past as a freedom fighter and a ‘geus’ (rebel). He is betrayed and loses his smithy. Then the devil makes him a tempting offer: seven years of abundance, happiness and unlimited production… Smee, initially a victim of repression, becomes an oppressor and coloniser himself. Opera Ballet Vlaanderen revives the successful production with which the German star director Ersan Mondtag made his opera debut in 2020. In his own visually flamboyant style, he presents a daring political interpretation of a work that the German Nazi regime labelled ‘degenerate’. In unexpected ways, Mondtag draws parallels with the dark chapters of our own colonial history.

Reviews of Der Schmied von Gent directed by Ersan Mondtag

Opera Ballet Vlaanderen