Barbara Hannigan makes a powerful connection in La Voix humaine

Barbara Hannigan performs La Voix humaine

Barbara Hannigan conducts the New York Philharmonic

Von Thomas May, 25 April 2026

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Veranstaltung anzeigen

“Hannigan ranged from jagged outbursts to suspended, floating lines, with whispers, sighs”

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 23 April 2026

Strauss R., Metamorphosen

Poulenc, La Voix humaine

Clemens Malinowski, Video

Barbara Hannigan, Musikalische Leitung, Sopran

New York Philharmonic

Étienne Démoulin, Sound design

Yo-Yo Ma spielt Salonen in Hamburg

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Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

***11

A vocally perplexing economics assignment from David Lang

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The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

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John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

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Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Weitere Kritiken...

Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

Holding the line: Barbara Hannigan makes a powerful connection in La Voix humaine