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Komponist: Vaughan Williams, Ralph (1872-1958)

Veranstaltungen zu klassischer Musik, Oper, Ballett und Tanz finden | Vaughan Williams
NationalitätVereinigtes Königreich
Epoche20. Jahrhundert
November 2019

MinneapolisVaughan Williams' Dona Nobis Pacem

Sibelius, Dean, Vaughan Williams
Minnesota Orchestra; Osmo Vänskä; Alban Gerhardt; Goitsemang Lehobye; Dashon Burton; Minnesota Chorale

PortsmouthBSO: Holst's Planets

BSO: Holst's Planets
Vaughan Williams, Elgar, Holst
Bournemouth Symphony Orchestra; David Hill; Bournemouth Symphony Chorus

GuildfordBest of British

Best of British
Vaughan Williams, Butterworth, Warlock, Elgar, Coates, Händel, Holst, Parry
Royal Philharmonic Orchestra; Hilary Davan Wetton; Marta Fontanals-Simmons

LondonCarers Trust Christmas Carol Concert

Carers Trust Christmas Carol Concert
Mathias, Willcocks, Vaughan Williams, Rutter, Archer, Campbell Stewart, Fletcher, Head
Hilary Davan Wetton; City of London Choir; Crispian Steele-Perkins

LondonThe Magic of Christmas

The Magic of Christmas
Finzi, Warlock, Vaughan Williams, Delius
Royal Philharmonic Orchestra; Hilary Davan Wetton; Julia Doyle; William Dazeley; City of London Choir
Neue Kritikenmehr...

In e-Moll durch die Klangwelt von Melancholie und Zärtlichkeit

Andreas Brantelid © Marios Taramides
Andrew Manze, der Cellist Andreas Brantelid und die Bamberger Symphoniker waren mit Elgar und Vaughan Williams auf Konzertreise durch symphonische englische Landschaften.

Das Münchner Rundfunkorchester füllt den Raum mit Klang

Ivan Repušić ©
Geistliche, anglikanischen Werke des 20. Jahrhunderts bildeten das Programm des Münchner Rundfunkorchesters, das auf völlig unterschiedliche Weise versuchte, den Raum mit Klängen zu füllen. 

Tianwa Yang und Nicholas Collon debütieren mit dem Gürzenich-Orchester

Nicholas Collon © Benjamin Ealovega
 Intensivste Spannungsbögen von Ravel zu Vaughan Williams und Britten.

Arcadia in Albion: BBC Symphony plays Vaughan Williams

Elena Urioste © Alessandra Tinozzi
Urioste’s marvellous playing wedded gleaming tone to sure technique in The Lark Ascending.

Anglo-Russian repertoire as the BSFO closes its first tour

Jan Latham-Koenig © Luke Toddfrey
Making its London debut, the BSFO and Jan Latham-Koenig make an impression in both British and Russian classics. 

Vaughan Williams is arguably the greatest composer Britain has seen since the days of Henry Purcell. In a long and extensive career, he composed music notable for its power, nobility and expressiveness, representing, perhaps, the essence of 'Englishness'.

Vaughan Williams was born in 1872 in the Cotswold village of Down Ampney. He was educated at Charterhouse School, then Trinity College, Cambridge. Later he was a pupil of Stanford and Parry at the Royal College of Music after which he studied with Max Bruch in Berlin and Maurice Ravel in Paris.

At the turn of the century he was among the very first to travel into the countryside to collect folk-songs and carols from singers, notating them for future generations to enjoy. As musical editor of The English Hymnal he composed several hymns that are now world-wide favourites (For all the Saints, Come down O love Divine). Later he also helped to edit The Oxford Book of Carols, with similar success.

Vaughan Williams volunteered to serve in the Field Ambulance Service in Flanders for the 1914–1918 war, during which he was deeply affected by the carnage and the loss of close friends such as the composer George Butterworth.

Before the war he had met and then sustained a long and deep friendship with the composer Gustav Holst. For many years Vaughan Williams conducted and led the Leith Hill Music Festival, conducting Bach’s St Matthew Passion on a regular basis. He also became professor of composition at the Royal College of Music in London.

In his lifetime, Vaughan Williams eschewed all honours with the exception of the Order of Merit which was conferred upon him in 1938. He died in August 1958, his ashes are interred in Westminster Abbey, near Purcell.

In a long and productive life, music flowed from his creative pen in profusion. Hardly a musical genre was untouched or failed to be enriched by his work, which included nine symphonies, five operas, film music, ballet and stage music, several song cycles, church music and works for chorus and orchestra.

© Stephen Connock MBE
Vice President Ralph Vaughan Williams Society