Diese Veranstaltung fand in der Vergangenheit statt
Barbican HallSilk Street, London, Greater London, EC2Y 8DS, Vereinigtes Königreich
Datum/Zeit in London Zeitzone
Programm
| Mozart, Wolfgang Amadeus (1756-1791) | Così fan tutte, KV588: Ouvertüre | |
| Mozart, Wolfgang Amadeus (1756-1791) | Tenorarie "Si mostra la sorte", KV209 | |
| Mozart, Wolfgang Amadeus (1756-1791) | Sopranarie "Chi sà, chi sà, qual sia", KV582 | |
| Mozart, Wolfgang Amadeus (1756-1791) | Don Giovanni, KV527: La ci darem la mano | |
| Rossini, Gioachino (1792-1868) | La Cenerentola (Cinderella): Overture | |
| Donizetti, Gaetano (1797-1848) | Il duca d'Alba: Angelo casto e bel | |
| Rossini, Gioachino (1792-1868) | La Cenerentola (Cinderella): Nacqui all'affanno... Non più mesta | |
| Donizetti, Gaetano (1797-1848) | L'elisir d'amore: Una parola, Adina | |
| Bellini, Vincenzo (1801-1835) | Konzert für Oboe und Streicher | |
| Bellini, Vincenzo (1801-1835) | Torna, vezzosa Fillide | |
| Rossini, Gioachino (1792-1868) | La scala di seta (Die seidene Leiter): Ouvertüre | |
| Rossini, Gioachino (1792-1868) | Otello: Assisa al piè d'un salice | |
| Rossini, Gioachino (1792-1868) | Otello: Deh calma, o Ciel, nel sonno | |
| Rossini, Gioachino (1792-1868) | Otello: Eccomi giunto inosservato | |
| Rossini, Gioachino (1792-1868) | Otello: Non arrestare il colpo | |
| Rossini, Gioachino (1792-1868) | Otello: Notte per me funesta | |
'The most charming of today's divos' (The Times) meets the five-time Grammy Award winning mezzo-soprano in a celebration of Mozart, Rossini, Bellini and Donizetti.
Cecilia Bartoli and Rolando Villazón are undoubtedly two of the finest singers of their generation. Few vocalists can boast a career as glittering as Bartoli, the mezzo whose career-long relationship with the music of Mozart has made her one of his finest interpreters, while the Mexican tenor's own journey with the Enlightenment masters has drawn widespread critical acclaim. This evening is a rare opportunity to hear the two voices dovetail in a glorious programme of operatic duets.