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Drei konträre Kompositionen fokussierten auf das Leid der armenischen Bevölkerung im vergessenen Genozid von 1915.

A potentially stimulating mix of full-bloodied Russian orchestral writing not fully realised by the RPO and Alpesh Chauhan, but with a promising concerto debut by Diana Adamyan.

Kirill Gerstein’s broad pianistic expertise impresses in a mixed programme at Wigmore Hall.

American–Armenian viola player Kim Kashkashian and Hungarian pianist Peter Nagy included a world première performance of Tigran Mansurian in their recital programme in Istanbul.

In 1993, by some strange musical alchemy, a creative partnership was born that has gone on to bear some remarkable fruit. On Officium, stylish jazz and classical label ECM brought together The Hilliard Ensemble – a vocal quartet known for the precision with which it had tackled and animated austere soundworlds from Perotin to Pärt – and Norwegian jazz saxophonist Jan Garbarek.

It has been nearly twenty years since the Hilliard Ensemble and Jan Garbarek released their first recording, Officium, in which the austere harmonies of medieval sacred music sung by the male voice quartet were augmented by Garbarek’s beautiful, freewheeling saxophone melodies.