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Monteverdi and Ulisse return happily to Garsington Opera

Von David Karlin, 12. Juni 2026

Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

****1

mehr

****1

High Wycombe

12. Juni 2026

Monteverdi and Ulisse return happily to Garsington Opera

Von David Karlin

Glyndebourne

Merriment aplenty in Cal McCrystal's Merry Widow at Glyndebourne

Von Dominic Lowe, 9. Juni 2024

Glyndebourne's new production of Lehár's greatest work is interpreted with his customary flair and fun by Cal McCrystal.

****1

mehr

****1

Glyndebourne

9. Juni 2024

Merriment aplenty in Cal McCrystal's Merry Widow at Glyndebourne

Von Dominic Lowe

Charles Rice (Figaro) and Simon Bailey (Bartolo) © Clive Barda

London

Time for a cut? Jonathan Miller's The Barber of Seville returns to English National Opera

Von Dominic Lowe, 12. Februar 2024

Miller's production, running since 1987, is starting to show its ago, but an excellent performance from Anna Devin keeps English National Opera's latest revival moving.

***11

mehr

***11

London

12. Feb. 2024

Time for a cut? Jonathan Miller's Barber of Seville returns to ENO

Von Dominic Lowe

Richard Pinkstone, Marcus Farnsworth, Innocent Masuku and Ossian Huskinson (Zerbinetta's troupe) © Craig Fuller

High Wycombe

Radiant romanticism with delicious comic relief: a magical Ariadne auf Naxos at Garsington Opera

Von David Karlin, 18. Juni 2023

An excellent singing cast combine with Bruno Ravella's sensitive direction and brilliant orchestral playing to bring to life Strauss' heady mix of farce and high art.

*****

mehr

*****

High Wycombe

18. Juni 2023

Radiant, comic, magical: Ariadne auf Naxos at Garsington Opera

Von David Karlin

William Morgan, Clare Presland, Lauren Bridle. Rhian Lois and Innocent Masuku © Helen Murray

London

Korngold's extravagant opera The Dead City staged in style by ENO

Von Mark Valencia, 25. März 2023

Annilese Miskimmon directs a the first ever production by ENO of Erich Korngold's tale of bereavement, grief and the poisonous impact of lost love on an obsessive mind.

****1

mehr

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London

25. März 2023

Korngold's extravagant opera The Dead City staged in style by ENO

Von Mark Valencia

Sean Panikkar (Don José) and Ginger Costa-Jackson (Carmen) © Adiam Yemane

London

On a knife-edge: Calixto Bieito's Carmen returns to English National Opera

Von Dominic Lowe, 1. Februar 2023

Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.

****1

mehr

****1

London

1. Feb. 2023

On a knife-edge: Carmen returns to English National Opera

Von Dominic Lowe

Paula Murrihy (Frances) and Christine Rice (Elizabeth I) © Nirah Sanghani

London

The second Elizabethan age receives a noble tribute from the first in ENO's Gloriana

Von Roy Westbrook, 8. Dezember 2022

When done as well as this, a "concert staging" is not oxymoronic, but a precise term for a valuable mode of presentation.

****1

mehr

****1

London

8. Dez. 2022

Second Elizabethan age receives a noble tribute in ENO's Gloriana

Von Roy Westbrook

London

Pauline Viardot's Cendrillon outshines Bizet at Guildhall School

Von David Karlin, 1. November 2021

A double bill of French operettas shows Guildhall students to advantage as well as providing an introduction to Viardot that's well worth the trip.

***11

mehr

***11

London

1. Nov. 2021

Pauline Viardot's Cendrillon outshines Bizet at Guildhall School

Von David Karlin