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Klassische Musik, Oper, Ballett und Tanz in Glyndebourne, Vereinigtes Königreich

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GlyndebourneDie Entführung aus dem Serail (The Abduction from the Harem)

Liv Redpath (Konstanze) and Franck Saurel (Pasha Selim) © Glyndebourne Productions Ltd. Photo: Bill Knight
Mozart: Die Entführung aus dem Serail
Evan Rogister; Sir David McVicar; Glyndebourne Festival Opera; Vicki Mortimer; Paule Constable; Orchestra of the Age of Enlightenment

GlyndebourneAriadne auf NaxosNeuinszenierung

Rachel Willis-Sørensen (Ariadne) © Glyndebourne Productions Ltd. Photo: Tristram Kenton
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra

GlyndebourneToscaNeuinszenierung

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Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra
Neue Kritikenmehr...

Glyndebournes erste Tosca: stimmlich stark, dramatisch unausgereift

Caitlin Gotimer (Tosca) und Matteo Lippi (Cavaradossi) © Glyndebourne Productions Ltd | Richard Hubert Smith
Ted Huffman wartet mit einigen interessanten Ideen in seiner ersten Inszenierung in Glyndebourne auf. Leider wird das exzellente Singen durch gleichgültiges Schauspielen getrübt.
***11
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Triumphant revival of Die Entführung aus dem Serail at Glyndebourne

Liv Redpath (Konstanze) and Franck Saurel (Pasha Selim) © Glyndebourne Productions Ltd. Photo: Bill Knight
Thanks to a vibrant clutch of performances and abetted by designer Vicki Mortimer‘s detailed, exotic sets, director Sir David McVicar tells it straight.
*****
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Passion without the fireworks: Ariadne auf Naxos at Glyndebourne

Rachel Willis-Sørensen (Ariadne) © Glyndebourne Productions Ltd. Photo: Tristram Kenton
Pelly’s low-level intervention leaves the audience marooned at the end of his new production of Strauss and Hofmannsthal’s operatic divertissement
****1
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Beliebte Häuser
Glyndebourne Opera House