Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Jamie Woollard

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Nils Wanderer (Oberon) and Jennifer France (Tytania) © Glyndebourne Productions Ltd | Tristram Kenton

Not out of the woods yet: Glyndebourne’s iconic Dream approaches its century

Von Eleanor Knight, 12 Oktober 2025

Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.

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Glyndebourne

12 Okt 2025

Glyndebourne’s iconic Dream approaches its century

Von Eleanor Knight

Aigul Akhmetshina (Carmen) © RBO | Marc Brenner

London

Mummy issues: Michieletto’s Carmen returns to the Royal Opera House

Von Dominic Lowe, 09 April 2025

Aigul Akhmetshina is on the verge of becoming the definitive Carmen; in this first revival of Michieletto's 2024 production at Covent Garden, she delivers the standout performance.

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London

09 Apr 2025

Mummy issues: Michieletto’s Carmen returns to The Royal Opera

Von Dominic Lowe

Sir Bryn Terfel (Scarpia) and Natalya Romaniw (Tosca) © RBO | Clive Barda

London

The Royal Opera's “Taffia Tosca” burns with Welsh fire in excellent revival

Von Mark Pullinger, 26 November 2024

Led by Bryn Terfel's Scarpia and Natalya Romaniw's Tosca – not forgetting Aled Hall's scene-stealing Spoletta – this revival of Jonathan Kent's 2006 staging is urgently paced.

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London

26 Nov 2024

“Taffia Tosca” burns with Welsh fire

Von Mark Pullinger

Liparit Avetisyan (Lensky), Avery Amereau (Olga) © Royal Ballet and Opera | Tristram Kenton

London

Soaring orchestral themes, minimalist staging: The Royal Opera’s new Eugene Onegin

Von David Karlin, 24 September 2024

The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.

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London

24 Sep 2024

Soaring orchestral themes, minimalist staging: Eugene Onegin

Von David Karlin

Ludovic Tézier (Scarpia) © ROH | Marc Brenner

London

Ludovic Tézier's suave Scarpia steals the limelight in ROH Tosca revival

Von Mark Pullinger, 11 Juli 2024

Tosca is back for another run, more dimly lit than ever, but illuminated by French baritone Ludovic Tézier as a Scarpia oozing with sinister charm and ironic humour.

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London

11 Jul 2024

Tézier's suave Scarpia steals the limelight in ROH Tosca revival

Von Mark Pullinger

Jonas Kaufmann (Andrea Chénier) and Sondra Radvanovsky (Maddalena di Coigny) © ROH | Marc Brenner

London

Costume drama at its finest: Andrea Chénier at The Royal Opera

Von David Karlin, 30 Mai 2024

The Royal Opera orchestra, chorus and a large cast bring their A game to Sir Antonio Pappano's last run as music director.

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London

30 Mai 2024

Costume drama at its finest: Andrea Chénier at The Royal Opera

Von David Karlin

Aušrinė Stundytė (Tosca) © ROH | Marc Brenner

London

Muted passions in Royal Opera Tosca revival

Von Roy Westbrook, 05 Februar 2024

A revival low on dramatic power and emotional temperature, despite a fine Royal Opera debut by conductor Karen Kamensek.

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London

05 Feb 2024

Muted passions in Royal Opera Tosca revival

Von Roy Westbrook

Pretty Yende (Gilda) and Amartuvshin Enkhbat (Rigoletto) © ROH | Tristram Kenton

London

Amartuvshin Enkhbat’s Rigoletto conquers Covent Garden

Von David Karlin, 12 Oktober 2023

It's been a long wait since Cardiff Singer 2015, but the Mongolian baritone gives an outstanding vocal portrayal of Verdi’s doomed jester at the Royal Opera House.

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London

12 Okt 2023

Amartuvshin Enkhbat’s Rigoletto conquers Covent Garden

Von David Karlin

Lylis O'Hara (Princess) and Zixin Tang (The Old Woman) © Chris Christodoulou

London

Nightmares dressed as daydreams: Respighi and Ravel at the Royal College of Music

Von Dominic Lowe, 13 März 2023

An opportunity to hear one of Respighi's operas in the UK is a real treat; the composer's take on Sleeping Beauty, La bella dormente nel bosco, is an ideal companion to to Ravel's L'Enfant et les sortilèges in a terrific double bill at the Royal College of Music.

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London

13 Mär 2023

Nightmares dressed as daydreams: Respighi and Ravel at the RCM

Von Dominic Lowe