Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Jonathan Eyers

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Glyndebourne

Unalloyed, escapist entertainment: The Barber of Seville opens Glyndebourne’s season

Von David Karlin, 16. Mai 2025

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

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Glyndebourne

16. Mai 2025

Glyndebourne’s season opens with Rossini’s Barber of Seville

Von David Karlin

Michael Lafferty-Smith (Joseph), Jacob Harrison and Emyr Lloyd Jones (Guards) © David Monteith

London

Jake Heggie's Dead Man Walking given a triumphant staging by Guildhall School

Von Mark Valencia, 27. Februar 2023

Under Dominic Wheeler’s expert baton the musicians, all youthful if not downright young, give a spectacular account of a harrowing score.

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London

27. Feb. 2023

Dead Man Walking given a triumphant staging by Guildhall School

Von Mark Valencia

Mark Bautista (Raimondo) and Faryl Smith (Mariuccia) in I due timidi © David Monteith-Hodge

London

Picture perfect: a fine triple bill from the Guildhall School of Music and Drama

Von Dominic Lowe, 11. November 2022

Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.

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London

11. Nov. 2022

Picture perfect: a fine triple bill from the Guildhall School

Von Dominic Lowe