Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | John Moore

Carlisle Floyd's operatic setting of John Steinbeck’s classic novella is given a new production in the composer's centenary year at the Lyric Opera of Kansas City.

Lyric Opera of Chicago's production of Missy Mazzoli's opera, which the company co-commissioned, has strong, dramatic, expressive music throughout, but the story lacks continuity. 

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism. 

Twilight of a Tech God: The (R)evolution of Steve Jobs at the Lyric Opera of Kansas City.

Colorful sets and lavish costumes greet Seattle audiences as live opera finally returns to the McCaw Hall. 

Lindy Hume directs a new production of Mozart's masterpiece which proves a constant delight.

Tomer Zvulun's mostly traditional account of the Tchaikovsky masterpiece arrives at Seattle Opera in an attractively staged but underwhelming package.

Andrew Sinclair and Zandra Rhodes' hugely colourful and affecting “Pearl Fishers” for Kansas City Lyric Opera

Interviewed at the time of this production's first outing, McVicar declared that “Entertainment is not a dirty word”. His Giulio Cesare remains a hugely entertaining opera production.

“Love, love, love… that is the soul of genius,” said Mozart. In no other work does he demonstrate this affirmation more compellingly than in his forever-beloved opera, Die Zauberflöte. 

The world première of Breaking the Waves was a qualified success, with a powerful drama performed with commitment by strong cast and musicians.

This BAM production of Benjamin Britten’s Billy Budd, imported from Glyndebourne, achieves the rare distinction of making a great performance out of a decidedly mediocre work.

The silence at the end of the concert said it all. To have plunged the attention of the entire Royal Albert Hall into utter silence for a whole minute after the music has finished was an impressive feat. Such was the audience response to Mark Padmore’s closing walk down the back of the stage, as Captain Vere.