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Scion of generations of sitar players, Nishat Khan is the perfect person to tell the "greatest love story never told" behind India's most iconic building.

Stephen Medcalf gingers up Grange Park Opera’s staging with some deft directorial touches… even if Tosca is denied her final leap.

No hippos in tutus for The Dance of the Hours, but panto frolics abound in Stephen Madcalf's staging in the idyllic Theatre in the Woods. 

Ivor Bolton and Kit Hesketh-Harvey deliver a brilliant political thriller and anti-Putin polemic – at least for its first half.

Grange Park Opera's revival of its 2015 production of Puccini's La bohème hits some high notes with a very contemporary feel and some excellent singing from its leading ladies.

Editor Ben Willis almost convinced me that two grown men could fit inside grandfather clocks

Conceived for television and first seen on BBC2 in May 1971, Owen Wingrave should lend itself to creative staging and the small screen. Does this new film convince? 

English Touring Opera open their autumn season with the first of two Singspiels. 

Darkness sits alongside comedy in a new production of Humperdinck's delicious children's opera.

Stephen Medcalf directs a coherent staging of Mozart’s opera seria in which Idomeneo’s inner demons are to be battled. 

Grange Park Opera’s enjoyable new production of Verdi’s Un ballo in maschera looks a little homespun on stage, but has plenty of musical compensations.

Guildhall School of Music and Drama tackles Gian Carlo Menotti's rarity, a tale of stateless and paperless 'citizens of nowhere' seeking refuge amid Kafkaesque bureaucracy. 

Trophy room glass display cases and glassy-eyed stuffed animals are the setting for a distinctive take on Wagner's epic music drama. 

Excellent singing, dramatic sets and jolly music make this a rewarding revival of a long-forgotten opera, Herculanum by David. 

Stephen Barlow makes the case for Beethoven's earlier version of Fidelio, but doesn't quite manage to convince.

Using Stephen Medcalf’s 2008 staging, this opening night of love and loneliness was a feast for the eyes, a musical triumph and a dramatic tour-de-force that tugged at the heart strings.

La velada del estreno arrancó decaída y mejoró hasta alcanzar un emotivo final.

Stephen Medcalf's meticulous staging of Tchaikovsky's bitter masterpiece is lit up by Jung Soo Yun's Lensky, giving a direct injection of emotions: verismo before its time.

 Despite a stellar Mimì, a disappointing La bohème at Grange Park Opera.

An updated Orfeo and Eurydice at Buxton sees Orpheus as an ageing rocker, too distracted by adoring groupies to notice Eurydice. However, one piece of casting was an unsolvable conundrum. 

The scene in Tchaikovsky’s Eugene Onegin where the peasants, weary from gathering in the harvest, sing and dance for the woman who owns the estate (and, for that matter, owns them) is perhaps not the best example of gritty social realism in opera.

Eugene Onegin, a lyric opera by Pyotr Tchaikovsky, is based on Pushkin’s novel of the same name, converted into an operatic libretto by Konstantin Shilovsky. It tells the tale of a selfish hero, Onegin, who rejects the outburst of love from the young Tatyana and instead flirts with her older sister, Olga, who is engaged to his best friend, Lensky. This leads to a duel, in which Lensky is killed.