Menotti's fiercely topical Consul at Guildhall

Von John Johnston, 31 Oktober 2017

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Veranstaltung anzeigen

“Michelle Alexander realised the role's dramatic intensity, pathos and proud defiance”

Rezensierte Veranstaltung: Guildhall School of Music & Drama: Silk Street Theatre, London, am 30 Oktober 2017

Menotti, The Consul (Der Konsul)

Guildhall School of Music and Drama

Timothy Redmond, Musikalische Leitung

Stephen Medcalf, Regie

Simon Corder, Bühnenbild

Susannah Henry, Kostüme

Michelle Alexander, Magda Sorel

Emily Kyte, Sekretärin

Chloe Latchmore, Mutter

Jake Muffett, John Sorel

Christian Valle, Agent der Geheimpolizei

Eduardo Mas Bacardit, Zauberer

Bertie Watson, Mr Kofner

Claire Lees, Ausländerin

Samantha Clarke, Anna Gomez

Georgia Mae Bishop, Vera Boronel

Seán Boylan, Assan

Guildhall Symphony Orchestra

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Pleas for more Respighi operas are answered as the students of the Guildhall School of Music and Drama give the UK premiere of Lucrezia, paired with Ethel Smyth's Der Wald.

****1

Sacred and profane in Guildhall School's Respighi double bill

Susannah Moody, 6th November

From the spiritual conversion of a Medieval sex-worker, to the Sleeping Beauty tale reimagined, Guildhall stages a Respighi double-bill.

***11

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David Truslove, 5th June

Two accomplished performances bring emotional depth only intermittently, but show ample security of singing and playing.

***11

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Under Dominic Wheeler’s expert baton the musicians, all youthful if not downright young, give a spectacular account of a harrowing score.

****1

Picture perfect: a fine triple bill from the Guildhall School

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Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.

****1

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A double bill of French operettas shows Guildhall students to advantage as well as providing an introduction to Viardot that's well worth the trip.

***11

Weitere Kritiken...

John Johnston

John Johnston was a contributor to Bachtrack 2017-19. John was a true gentleman and lifelong opera "nut" who frequently travelled across Europe to catch performances, making regular pilgrimages to the Bayreuth Festival among others. His supreme knowledge and appreciation of voices meant he took to reviewing like the proverbial duck to water. We enjoyed his style and his insatiable appetite for catching rare operas and new productions wherever he could.

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