Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Brian Bannatyne-Scott

9 von 9 Kritiken angezeigt

Lesen Sie Rezensionen in einer anderen Sprache: English

Now the Hungry Lion Roars: a delightful wildlife soirée at the Edinburgh Fringe

Von David Smythe, 7. August 2019

Mezzo Joan Busby, bass Brian Bannatyne-Scott with pianist Walter Blair and reader Joshua Manning in a delightful wildlife soirée at the Edinburgh Fringe.

***11

mehr

***11

Edinburgh

7. Aug. 2019

A delightful wildlife soirée at the Edinburgh Fringe

Von David Smythe

High Wycombe

Clown court: Offenbach's Fantasio at Garsington

Von Matthew Rye, 14. Juni 2019

The UK stage debut of Offenbach’s neglected Fantasio reveals a musical sizzler, but directorially it needs a more sympathetic touch than Garsington musters.

***11

mehr

***11

High Wycombe

14. Juni 2019

Clown court: Offenbach's Fantasio at Garsington

Von Matthew Rye

High Wycombe

Czech mate: a hilarious and immaculately executed Bartered Bride at Garsington

Von David Karlin, 29. Mai 2019

Natalya Romaniw is a natural as our maligned heroine: Paul Curran creates staging of bewildering comic complexity and pulls it off with panache.

****1

mehr

****1

High Wycombe

29. Mai 2019

An immaculately executed Bartered Bride at Garsington

Von David Karlin

Glyndebourne

“Or not to be”: dislocated Shakespeare as Brett Dean’s Hamlet is revived for Glyndebourne’s tour

Von Mark Pullinger, 21. Oktober 2017

A restless score, a stylish modern setting and gripping central performances from David Butt Philip (trading Laertes at the festival for the title role here) and Jennifer France (Ophelia) do much to commend this new work

***11

mehr

***11

Glyndebourne

21. Okt. 2017

“Or not to be”: Hamlet revived for Glyndebourne’s tour

Von Mark Pullinger

High Wycombe

Light and shade: Garsington Opera’s Pelléas et Mélisande at Wormsley

Von Matthew Rye, 18. Juni 2017

Debussy’s opera of half-lights succeeds in taming the glare of the midsummer sun in Garsington’s new staging.

****1

mehr

****1

High Wycombe

18. Juni 2017

Light and shade: Pelléas et Mélisande at Wormsley

Von Matthew Rye

London

Excellent in parts: Kaspar Holten's new Die Meistersinger von Nürnberg at Covent Garden

Von David Karlin, 11. März 2017

Holten's masonic lodge setting of Meistersinger gets a lot right but is occasionally uneven; Terfel and Hughes Jones are constantly good to listen to.

***11

mehr

***11

London

11. März 2017

Excellent in parts: Meistersinger at Covent Garden

Von David Karlin

Aix-en-Provence

Robert Carsen's legendary production returns to its birthplace with a Dream cast

Von Mark Valencia, 4. Juli 2015

A trip down memory lane sends our man in Aix into raptures as Robert Carsen's production of Britten's A Midsummer Night's Dream comes home to Provence.

*****

mehr

*****

Aix-en-Provence

4. Juli 2015

Robert Carsen's legendary Dream returns to Aix

Von Mark Valencia

Leeds

Comedy and tragedy: Opera North's Gianni Schicchi and La Vida Breve serve up a fine double bill

Von Richard Wilcocks, 18. Februar 2015

Tragedy giving way to comedy – a recipe which still works, as demonstrated in Opera North's fine double bill of Gianni Schicchi and La vida breve.

****1

mehr

****1

Leeds

18. Feb. 2015

Comedy and tragedy: Gianni Schicchi and La Vida Breve

Von Richard Wilcocks

London

Prom 29: A joyful Tannhäuser from Donald Runnicles

Von Jane Shuttleworth, 4. August 2013

In Act II of Tannhäuser, Hermann, Landgrave of Thuringia, sets the theme of the singing contest that is about to take place in his hall by asking: “Can you describe love’s nature to me?” To some extent, the entire opera is an examination of two very different answers to that question.

****1

mehr

****1

London

4. Aug. 2013

Prom 29: A joyful Tannhäuser from Donald Runnicles

Von Jane Shuttleworth