Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Marina Poplavskaya

Read our review of Franco Zeffirelli's production of Puccini's Turandot in its 2009 broadcast from the Met Opera in New York.

Robert le diable’s 1831 opening was perhaps the most successful opera première of all time. Meyerbeer was lauded by luminaries like Chopin, Dumas, Balzac and Heinrich Heine, the opera was played in 69 cities in its first two years and spawned an entire genre of French Grand Opera.

Almost any singer with Plácido Domingo’s résumé would be happily retired from the stage at age 71, but Domingo is obviously not any singer. With over 140 roles performed, the Spanish tenor’s legacy is unparalleled, and that legacy is still growing.

The Tenth Anniversary of the Royal Opera House’s Jette Parker Young Artists Scheme is a landmark of no small size. This summer performance brought back some of the best singers it has produced for a semi-staged rendition of Rossini’s one-act 1825 opera Il Viaggio a Reims. It was a celebratory display of virtuoso held together with a generous dose of self-indulgence.

In 1971, the thirty year-old Placido Domingo made his Covent Garden début as Cavaradossi in Puccini's Tosca and in the intervening forty years, he has given two hundred and thirty performances in more than twenty-five roles for Royal Opera House audiences.

Read our review of Des McAnuff's production of Faust by Gounod, in its 2011 broadcast from the Met Opera in New York.

The Proms Choral Sundays series moved from last week’s dramatic opening (Havergal Brian’s Gothic Symphony) to the more familiar but no less spectacular territory of Verdi’s Requiem. Since 1956, this has been a Proms regular, with 16 previous performances, including a run of five in the eight years from 1956 to 1963.

The message in Paul Curran's new production of Rimsky-Korsakov's The Tsar's Bride is a simple one: violent and powerful men are the same in every era. And, of course, no good can result from the violence. If the opera's title made you expect a happy and light-hearted occasion, think again: it's definitely not that sort of Royal Wedding.

Read our review of Nicholas Hytner's production of Verdi­'s Don Carlo in its 2010 broadcast from the Met Opera in New York.