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Aribert Reimann's Lear takes no prisoners in a disturbing portrayal of a world gone awry, but Barbora Horáková's scattergun direction adds to the confusion. 

The director drains the life out of an impassioned opera with a staging devoid of authenticity and ideas.

Puccini's classic takes on a harsh contemporary edge in a dark treatment by director Sláva Daubnerová at Prague's National Theatre. 

The challenges of Cherubini’s version of the Greek tragedy prove too much for the National Theatre to overcome.

SKUTR's daring direction and Václav Luks's early music expertise combine to bring new vitality to a Baroque classic. 

Nigel Lowery’s new production at Prague State Opera is a gusher of ideas, starting as slapstick but profoundly moving by the end.

Andriy Yurkevych leads a rousing musical performance, but this visually impressive Nabucco tries to hard to be relevant and misses the mark.

Shostakovich's murderess comes to terrifying life in Martin Čičvák's smart, sensational production for the Prague State Opera. 

Donizetti's frothy romantic comedy takes on fresh appeal in this faithful rendering at the State Opera.

The Czech national Ballet's Swan Lake might not be the most memorable, but the company used what they have as effectively as possible, resulting in a very respectable and steady performance.