Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | David Cavelius

Auch nach vier Jahren lockt die Produktion von Mozarts Evergreen das Publikum in Scharen ins Opernhaus und verspricht einen anregenden Abend.

Nicola Raab's production doesn't quite provide the bold rethinking it promises, but stylish execution and a fine cast make for an effective modern Traviata. 

Sophisticated interpretation of The Bassarids by Hans Werner Henze at the Komische Oper Berlin

The Salzburg Festival's production of Offenbach's Orpheus in the Underworld is another classic in the making from Barrie Kosky.

Handel’s Semele is presented as a flashback at the Komische Oper in Berlin. 

Laurence Cummings leads the FestspielOrchester Göttingen, the NDR Choir and an exemplary set of soloists led by in a definitive performance of Handel's oratorio.

A hilarious pearl of an operetta. Barry Kosky reigns supreme in Berlin!

Before the beginning of each opera, an announcement is made reminding the audience not to film, photograph, tweet, post, google, snapchat... Komische Oper Berlin premieres a hilarious Barber of Seville where the singers do nothing but just that.

Revel with a naughty Don Giovanni at the Komische Opera in Berlin.

Komische Oper's re-imagining of Nico Dostal's 1933 operetta makes for delightfully escapist, romantic evening out, while Christoph Marti's superb drag performance of the title role makes it a memorable one.

There may be spiders, or zombies above your head. A spook show? Berlin's Komische Oper premiers a gothic musical theatre work by Heinrich Marschner... and it is a gory, good romp.

Die Zauberflöte is a work whose outward simplicity masks internal complexity and even contradictions. Mozart’s music is childishly tuneful and yet reaches for the classically sublime; Emmanuel Schikaneder’s libretto alternates a magical quest story out of a German storybook with Masonic claptrap and secondhand Voltaire.