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Woefully stiff acting lets down an otherwise excellent production; Joseph Calleja impresses in his role début as Cavaradossi.

Using Stephen Medcalf’s 2008 staging, this opening night of love and loneliness was a feast for the eyes, a musical triumph and a dramatic tour-de-force that tugged at the heart strings.

Does the devil get the best tunes? Nick Shadow steals the show in the Royal Academy's production of The Rake's Progress.

Drawing a line of suffering from ancient Rome to Golgotha to the concentration camps, Britten’s blank postcard from Belsen strikes to the heart of humanity. The Rape of Lucretia is brilliantly realised by the Royal Academy of Music.

Over the years, I’ve generally found performances at Royal Academy Opera to be enjoyable and straightforward. This production of Cendrillon went rather beyond that.