Britten’s blank postcard from Belsen: The Rape of Lucretia at the Royal Academy of Music

Von Charlotte Valori, 18 Mai 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Royal Academy of Music: Sir Jack Lyons Theatre, London, am 15 Mai 2014

Britten, Rape of Lucretia (Die Schändung der Lucretia), The

Royal Academy Opera

Steuart Bedford, Musikalische Leitung

John Ramster, Regie

Céline Forrest, Female Chorus

Emily Vine, Lucia

Kate Howden, Bianca

Angharad Lyddon, Lucretia

Bradley Smith, Male Chorus

Ed Ballard, Tarquinius

Lancelot Nomura, Collatinus

Alistair Ollerenshaw, Junius

Royal Academy of Music Sinfonia

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Rainer Zerbst, 27th May

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

Royal Academy Opera stages a magical Zauberflöte

Mark Valencia, 18th March

A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall.

****1

A dystopian Hansel und Gretel at the RAM

Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

***11

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Dominic Lowe, 8th May

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Weitere Kritiken...

Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.