Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Roger Honeywell

“Here's Johnny!” Paul Moravec’s opera, based on Stanley Kubrick's film of Stephen King's novel, proves gripping in Eric Simonson's production. 

A title role performance full of depth from Terfel and a barnstorming comic interlude from Tomlinson provide some great moments, but much of this Boris fails to rise above the ordinary.

If you think you know Carmen, think you know Calixto Bieto, then you definitely should head to the Opera House and have your eyes opened on both counts.

There was a nod to John Adams in the score, but also a kind of edgy Americana, complete with powerful writing for male chorus, and an attempt to communicate the flavor of rural North Carolina, not far from where Higdon grew up.