Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Andri Björn Róbertsson

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Lessons in Love and Violence: George Benjamins neue Oper über Angst und Entsetzen im politischen Alltag

Von Michael Klier, 25. Juni 2018

George Benjamins neue Oper beschreibt eindringlich einen durch Liebe hilflosen König – Hannigan und Degout füllen die tiefgründige Musik mit hingebungsvollem Emotionsspiel.

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Amsterdam

25. Juni 2018

Lessons in Love and Violence für den politischen Alltag

Von Michael Klier

Emyr Wyn Jones (Papageno) © Tristram Kenton

Leeds

Opera North’s gleeful Magic Flute revived

Von Richard Wilcocks, 27. September 2024

Conducted by Christoph Konz and directed by James Brining, Opera North’s revival of The Magic Flute remains an inventive reinterpretation of Mozart’s classic opera.

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Leeds

27. Sept. 2024

Opera North’s gleeful Magic Flute revived

Von Richard Wilcocks

Members of the Opera North Chorus © James Glossop

Leeds

A feast of Purcell in Sir David Pountney’s Masque of Might at Opera North

Von Richard Wilcocks, 6. Oktober 2023

Sir David Pountney directs a satirical take on dictatorship and the climate crisis inventively set to the music of Purcell.

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Leeds

6. Okt. 2023

A feast of Purcell in Sir David Pountney’s Masque of Might

Von Richard Wilcocks

London

Lessons in Love and Violence: icy beauty and dramatic tension

Von David Karlin, 10. Mai 2018

George Benjamin and Martin Crimp's second full scale opera is a refinement of the craft showed in Written on Skin – but the lessons are less in love and violince than in power, tension and beauty of the score.

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London

10. Mai 2018

Lessons in Love and Violence: ice and drama

Von David Karlin

London

Hot ice and strange snow: an unseasonal return for Carsen’s bed-hopping Dream

Von Mark Pullinger, 1. März 2018

In Siberian conditions more akin to The Winter's Tale, a revival of Robert Carsen's season setting of Britten's A Midsummer Night's Dream offered a warm glow at the Coliseum.

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London

1. März 2018

Hot ice and strange snow

Von Mark Pullinger

Llangollen

Neither shocking nor shabby: Tosca at Llangollen

Von Richard Ely, 4. Juli 2017

The Llangollen International Eistedffod opens with a star-studded concert performance of Puccni's political/romantic thriller.

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Llangollen

4. Juli 2017

Neither shocking nor shabby: Tosca at Llangollen

Von Richard Ely

Alresford

John Copley directs a peach of an Albert Herring for Grange Festival

Von Mark Pullinger, 25. Juni 2017

With a combined age of 161 years, John Copley and Steuart Bedford certainly bring ample experience to Grange Festival's new production of Britten's Albert Herring.

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Alresford

25. Juni 2017

A peach of an Albert Herring at Grange Festival

Von Mark Pullinger

London

Miller's Rigoletto makes a flawed return to English National Opera

Von Dominic Lowe, 2. Februar 2017

Jonathan Miller's production remains a work of brilliance, but poor conducting amongst other things keeps this revival from getting off the ground.

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London

2. Feb. 2017

Miller's Rigoletto makes a flawed return to ENO

Von Dominic Lowe

London

A mixed Tosca from English National Opera

Von Dominic Lowe, 3. Oktober 2016

This revival of Catherine Malfitano’s excellent 2010 production features some splendid singing from Gwyn Hughes Jones as Cavaradossi – but is let down by some poor diction and varying drama.

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London

3. Okt. 2016

A mixed Tosca from English National Opera

Von Dominic Lowe

Zürich

Truth or Illusion? Purcell’s King Arthur resounds in Zurich

Von Sarah Batschelet, 27. Februar 2016

King Arthur, an action-packed five-act semi- or "dramatick” opera with music by Henry Purcell and libretto by John Dryden, took on an entirely new face at its recent Zurich première.

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Zürich

27. Feb. 2016

Purcell’s King Arthur resounds in Zurich

Von Sarah Batschelet

London

RAM Opera double bill: Dido and Aeneas and The Lighthouse

Von Emily Owen, 16. Mai 2013

The Royal Academy of Music tonight presented the fruits of their latest postgraduate opera course with two short operas representing opposite ends of the musical timeline.Purcell’s miniature three-act opera really needs no introduction.

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London

16. Mai 2013

RAM Opera double bill: Dido and Aeneas and The Lighthouse

Von Emily Owen

London

Bach tracked: Bach's cantatas at the Royal Academy of Music

Von David Fay, 22. Januar 2012

For a composer of such undeniable genius and widespread popularity, it is strange that there aren’t too many opportunities to hear J.S. Bach’s cantatas performed live in concert.

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London

22. Jan. 2012

Bach tracked: Bach's cantatas at the Royal Academy of Music

Von David Fay