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Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

Jude Christian's indulgent reinvention of Puccini's opera does not serve English Touring Opera well as it embarks on its spring tour. 

A Rossini comedy should sparkle, but this new production, starting its tour from Hackney, is decidedly lacking bubbles.

Donizetti’s tale of one the Italian Renaissance’s objects of hate is well sung and superbly acted in ETO's new spring tour production.

Luke Styles' interludes to the Canticles may not set the musical world alight in Awakening Shadow, but they provide the perfect excuse to perform Britten's remarkable works.

Handel's Athalia is a wonderful English oratorio but this production, while musically wonderful, was marred by a problematic staging with infuriating surtitles.

Clever casting combined with good singing, classy chorus work and quality ensemble music has produced an enjoyably entertaining Don Pasquale from State Opera of South Australia.

Manuel de Falla’s rarely performed La Vida Breve and Giacomo Puccini’s comic Gianni Schicchi are quite contrasting mini-operas, united by common threads of deception and the clash of class distinction.

Le plasticien et performeur Ben Vautier qui « aime le nouveau » se pose cette question existentielle : « si faire nouveau n’est plus nouveau, ne plus faire nouveau est-ce encore nouveau ? » Le Couronnement de Poppée de Monteverdi donné à l’Opéra de Vichy lui répond par l’affirmatif. 

Its achievement lies in the brilliant notion of taking the two parts of Dostoevsky's work – the Aboveground Man's self-loathed life and the Underground Man's reflections upon it 20 years later – and running them concurrently, using two different singers.

Confusion has such lovely music! Sydney's pioneering Baroque and early classical opera specialists, Pinchgut Opera offered Haydn's Armida as its 16th production. 

A promising new tenor debuts in Adelaide’s State Opera of South Australia’s The Magic Flute, being performed in the heritage listed Great Hall of a historic Masonic Lodge.

The adaptation of David Malouf's novella Fly Away Peter by Pierce Wilcox and Elliott Gyger is given a compelling world première by Sydney Chamber Opera under the direction of Jack Symonds.

Melbourne Opera's new production of Bizet's The Pearl Fishers succeeds with a tightly packaged, if at times bursting, and visually caressing production.

A new opera by Alison Croggon and Michael Smetanin on the Soviet poet Mayakovsky is an intense experience in the production by Sydney Chamber Opera under Jack Symonds.