Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Federico Maria Sardelli

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Renato Dolcini (Bajazet) © Michele Crosera

Il Bajazet: Vivaldi’s pasticcio given an extravagant staging at the Teatro Malibran

Von Laura Servidei, 07 Juni 2024

Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style.

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Venedig

07 Jun 2024

Vivaldi’s pasticcio Bajazet given an extravagant staging

Von Laura Servidei

Federico Maria Sardelli conducts Modo Antiquo © Thomas Ziegler

Halle

Excellent singing in Aci, Galatea e Polifemo at Halle's Handel Festival

Von Sandra Bowdler, 29 Mai 2023

The Halle Handel Festival brings wonderful Baroque vocalising and playing in this somewhat obscure offering from Handel's early days in Italy.

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Halle

29 Mai 2023

Excellent singing in Aci, Galatea e Polifemo in Halle

Von Sandra Bowdler

Carlo Vistoli (Xerse) and Carlo Allemano (Ariodate) © Clarissa Lapolla

Martina Franca

Cavalli's Il Xerse as farce in Martina Franca

Von Lorenzo Fiorito, 25 Juli 2022

Leo Muscato directs an operatic rarity at the Festival Valle d'Itria, with Federico Maria Sardelli leading Orchestra Barocca Modo Antiquo.

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Martina Franca

25 Jul 2022

Cavalli's Il Xerse as farce in Martina Franca

Von Lorenzo Fiorito

Ferrara

Vivaldi's Farnace finally reaches Ferrara

Von Sandra Bowdler, 30 Dezember 2021

Vivaldi's opera Farnace presents a basically insoluble problem: how to produce a more or less complete version. While this is not solved by the Ferrara production, it is strong musically and enjoyable.

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Ferrara

30 Dez 2021

Vivaldi's Farnace finally reaches Ferrara

Von Sandra Bowdler

Venedig

Flailing capes, plumed helmets, Baroque machinery: Pizzi’s Rinaldo is back in Venice!

Von Laura Servidei, 31 August 2021

Federico Maria Sardelli conducts an historic production of Handel’s first Italian opera for London with energy and Baroque spirit. Teresa Iervolino takes the leading role in a convincing cast.

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Venedig

31 Aug 2021

Flailing capes, plumed helmets, Baroque machinery: Pizzi's Rinaldo!

Von Laura Servidei

Martina Franca

Porpora's L'Angelica is a sensual, virtuosic love triangle in Martina Franca

Von Lorenzo Fiorito, 30 Juli 2021

A masterpiece from one of the Neapolitan School's most important protagonists, this rarely heard opera is musically rewarding but confusingly staged.

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Martina Franca

30 Jul 2021

Porpora's L'Angelica is a love triangle in Martina Franca

Von Lorenzo Fiorito

Venedig

A second chance for a teenager Mozart in Venice

Von Renato Verga, 15 Februar 2019

Il re pastore seems to be a work that deserves to be included in the repertoire for its undoubted qualities and not only because it foreshadows the genius of the works that will follow.

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Venedig

15 Feb 2019

A second chance for a teenager Mozart in Venice

Von Renato Verga

Venedig

Young Mozart returns to Venice: Il sogno di Scipione

Von Renato Verga, 14 Februar 2019

Three sopranos and three tenors express a catalogue of "affections" in musical numbers full of coloratura and virtuosic effects that are already 100% Mozart despite the young age of the composer.

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Venedig

14 Feb 2019

Young Mozart returns to Venice: Il sogno di Scipione

Von Renato Verga

Florence

Dafne returns to Florence four centuries later

Von Renato Verga, 25 Juni 2018

The imaginative baroque architecture of the Buontalenti Grotto in Palazzo Pitti Boboli Gardens is an inert background to the action in this reprise of one of the first operas.

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Florence

25 Jun 2018

Dafne returns to Florence four centuries later

Von Renato Verga

Turin

Purcell’s Dido and Aeneas in Turin: Baroque astonishment and wonder

Von Edoardo Pelligra, 26 November 2015

Though musically played with participation and sensitivitythe, this production was full of jugglers, acrobats, dancers, circus performers and mimes.

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Turin

26 Nov 2015

Baroque astonishment and wonder in Turin

Von Edoardo Pelligra