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Klassische Musik, Oper, Ballett und Tanz in Turin, Italien

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Veranstaltungen zu klassischer Musik, Oper, Ballett und Tanz finden

TurinOttavio Dantone conducts Haydn and Mozart

Haydn, Mozart
Orchestra Sinfonica Nazionale della Rai; Ottavio Dantone

TurinDie Zauberflöte (The Magic Flute)

Mozart: Die Zauberflöte
Suzanne Andrade; Teatro Regio di Torino; Esther Bialas; Orchestra del Teatro Regio di Torino; Coro del Teatro Regio di Torino

TurinFabio Luisi conducts Wagner

Orchestra Sinfonica Nazionale della Rai; Fabio Luisi; Gun-Brit Barkmin

TurinJean-Guihen Queyras and Tamara Stefanovich play Kurtág

Ligeti, Illés, Kurtág, Eötvös
Orchestra Sinfonica Nazionale della Rai; Robert Trevino; Jean-Guihen Queyras; Tamara Stefanovich

TurinAlexandre Kantorow plays Rachmaninov

Kodály, Rachmaninow, Bartók
Orchestra Sinfonica Nazionale della Rai; Thomas Guggeis; Alexandre Kantorow

TurinThe Tsar's Bride

Rimsky-Korsakow: Zarenbraut, Die
Valentin Uryupin; Teatro Regio di Torino; Orchestra del Teatro Regio di Torino; Coro del Teatro Regio di Torino; Nadine Koutcher; Elchin Azizov
Neue Kritikenmehr...

Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin

Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.

The Pearl Fishers: Turin opens its operatic season

The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.

The first modern staged performance of Paër’s Agnese in Turin

The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.

In Turin's Trovatore, the women carry the day

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

A strong Italian cast for Così fan tutte in Turin

Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.

On the female condition: two 20th-century operas in Turin

Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.