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Aigul Akhmetshina (Carmen) © ROH | Camilla Greenwell

Michieletto’s excellent new Carmen lit up by Beczała and Akhmetshina at Covent Garden

Von David Karlin, 05 April 2024

Aigul Akhmetshina is outstanding in the title role, hearing Piotr Beczała is a privilege, but it's Damiano Michieletto's new staging that takes the honours.

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London

05 Apr 2024

Michieletto directs an excellent new Carmen at Covent Garden

Von David Karlin

Nina Stemme (Elektra) © ROH | Tristram Kenton

London

Pappano and Loy bring empathy to Elektra at Covent Garden

Von David Karlin, 12 Januar 2024

Christof Loy’s thoughtful staging enlightens the character of the protagonists in Sophocles’ tale of matricide; Sir Antonio Pappano extracts great nuance and beauty from Strauss’ score.

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London

12 Jan 2024

Pappano and Loy bring empathy to Elektra at Covent Garden

Von David Karlin

London

Seeing double: Iolanta and The Nutcracker reunite under Vasily Petrenko's baton

Von Dominic Lowe, 08 November 2023

Tchaikovsky's final opera and ballet were always intended to be paired; at the Royal Albert Hall Petrenko and the RPO present them together in a rewarding double-bill, marred by microphones.

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London

08 Nov 2023

Seeing double: Iolanta and The Nutcracker reunited

Von Dominic Lowe

Aigul Akhmetshina (Charlotte) and Jonas Kaufmann (Werther) © ROH | Bill Cooper

London

Jonas Kaufmann ails as Werther, but Covent Garden hails Aigul Akhmetshina's Charlotte

Von Mark Pullinger, 20 Juni 2023

The star tenor is clearly under the weather, but the young house-favourite mezzo shines in an impressive role debut in a revival of Benoît Jacquot's cinematic staging.

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London

20 Jun 2023

Jonas Kaufmann ails, Covent Garden hails Aigul Akhmetshina

Von Mark Pullinger

Roberto Tagliavini (Ferrando) and Jamie Barton (Azucena) © ROH | Camilla Greenwell

London

A Fright at the Opera: Trovatore ridiculed, but Barton’s Azucena drags it from the flames

Von Mark Pullinger, 02 Juni 2023

Adele Thomas’ Royal Opera staging channels the Marx Brothers in playing it for laughs, but the musical compensations are many under Sir Antonio Pappano.

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London

02 Jun 2023

Barton’s Azucena drags Trovatore from the flames

Von Mark Pullinger

Gabrielė Kupšytė (Arminio) and Sarah Dufresne (Tusnelda) © ROH | Marc Brenner

London

Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Von Mark Pullinger, 20 April 2023

The Royal Opera presents another Handel rarity for its Jette Parker Artists in the Linbury Theatre, the but action thriller approach is ill-suited to the ancient tale.

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London

20 Apr 2023

Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Von Mark Pullinger

Asmik Grigorian (Rusalka) © ROH | Camilla Greenwell

London

Semyon Bychkov leads a musically superior Rusalka at Covent Garden

Von Mark Pullinger, 21 Februar 2023

Ann Yee and Natalie Abrahami give Rusalka an ecological reading, but it's the musical side of things that really takes flight in The Royal Opera's new production.

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London

21 Feb 2023

Semyon Bychkov leads a musically superior Rusalka at Covent Garden

Von Mark Pullinger

Maria Agresta (Cio-Cio-San) © ROH | Tristram Kenton

London

Maria Agresta captivates in latest ROH revival of Madama Butterfly

Von David Truslove, 12 September 2022

A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.

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London

12 Sep 2022

Maria Agresta captivates in latest ROH revival of Madama Butterfly

Von David Truslove

London

Emotion and mayhem: a golden double bill from Royal Academy Opera

Von Stephen Pritchard, 18 März 2019

Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

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London

18 Mär 2019

Emotion and mayhem: a golden double bill from Royal Academy Opera

Von Stephen Pritchard