En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Gabrielė Kupšytė

Mostrando 9 de 9 críticas

Leer críticas en otros idiomas English

Loading image...

Michieletto’s excellent new Carmen lit up by Beczała and Akhmetshina at Covent Garden

Por David Karlin, 05 abril 2024

Aigul Akhmetshina is outstanding in the title role, hearing Piotr Beczała is a privilege, but it's Damiano Michieletto's new staging that takes the honours.

****1

Seguir leyendo

Loading image...

****1

Londres

05 abr 2024

Michieletto directs an excellent new Carmen at Covent Garden

Por David Karlin

Loading image...

Londres

Pappano and Loy bring empathy to Elektra at Covent Garden

Por David Karlin, 12 enero 2024

Christof Loy’s thoughtful staging enlightens the character of the protagonists in Sophocles’ tale of matricide; Sir Antonio Pappano extracts great nuance and beauty from Strauss’ score.

****1

Seguir leyendo

Loading image...

****1

Londres

12 ene 2024

Pappano and Loy bring empathy to Elektra at Covent Garden

Por David Karlin

Loading image...

Londres

Seeing double: Iolanta and The Nutcracker reunite under Vasily Petrenko's baton

Por Dominic Lowe, 08 noviembre 2023

Tchaikovsky's final opera and ballet were always intended to be paired; at the Royal Albert Hall Petrenko and the RPO present them together in a rewarding double-bill, marred by microphones.

***11

Seguir leyendo

Loading image...

***11

Londres

08 nov 2023

Seeing double: Iolanta and The Nutcracker reunited

Por Dominic Lowe

Loading image...

Londres

Jonas Kaufmann ails as Werther, but Covent Garden hails Aigul Akhmetshina's Charlotte

Por Mark Pullinger, 20 junio 2023

The star tenor is clearly under the weather, but the young house-favourite mezzo shines in an impressive role debut in a revival of Benoît Jacquot's cinematic staging.

****1

Seguir leyendo

Loading image...

****1

Londres

20 jun 2023

Jonas Kaufmann ails, Covent Garden hails Aigul Akhmetshina

Por Mark Pullinger

Loading image...

Londres

A Fright at the Opera: Trovatore ridiculed, but Barton’s Azucena drags it from the flames

Por Mark Pullinger, 02 junio 2023

Adele Thomas’ Royal Opera staging channels the Marx Brothers in playing it for laughs, but the musical compensations are many under Sir Antonio Pappano.

***11

Seguir leyendo

Loading image...

***11

Londres

02 jun 2023

Barton’s Azucena drags Trovatore from the flames

Por Mark Pullinger

Loading image...

Londres

Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Por Mark Pullinger, 20 abril 2023

The Royal Opera presents another Handel rarity for its Jette Parker Artists in the Linbury Theatre, the but action thriller approach is ill-suited to the ancient tale.

**111

Seguir leyendo

Loading image...

**111

Londres

20 abr 2023

Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Por Mark Pullinger

Loading image...

Londres

Semyon Bychkov leads a musically superior Rusalka at Covent Garden

Por Mark Pullinger, 21 febrero 2023

Ann Yee and Natalie Abrahami give Rusalka an ecological reading, but it's the musical side of things that really takes flight in The Royal Opera's new production.

****1

Seguir leyendo

Loading image...

****1

Londres

21 feb 2023

Semyon Bychkov leads a musically superior Rusalka at Covent Garden

Por Mark Pullinger

Loading image...

Londres

Maria Agresta captivates in latest ROH revival of Madama Butterfly

Por David Truslove, 12 septiembre 2022

A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.

***11

Seguir leyendo

Loading image...

***11

Londres

12 sep 2022

Maria Agresta captivates in latest ROH revival of Madama Butterfly

Por David Truslove

Londres

Emotion and mayhem: a golden double bill from Royal Academy Opera

Por Stephen Pritchard, 18 marzo 2019

Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

****1

Seguir leyendo

****1

Londres

18 mar 2019

Emotion and mayhem: a golden double bill from Royal Academy Opera

Por Stephen Pritchard