Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Guy Hoare

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Return to the Forest by Gregory Maqoma with Theatre-Rites © Tristram Kenton

Theatre-Rites + Gregory Maqoma: Return to the Forest is a magical experience at Sadler’s Wells East

Von Maggie Foyer, 28. Mai 2026

Gregory Maqoma’s immersive Return to the Forest delighted a captivated audience at Sadler’s Wells East with a superlative creative team and skilful dancing.

*****

mehr

*****

London

28. Mai 2026

Return to the Forest is a magical experience at Sadler’s Wells East

Von Maggie Foyer

Emilia Blossom Ostroumoff (Flora) and Phoenix Matthews (Miles) © RBO | Mihaela Bodlovic

London

Darkness and denial: The Turn of the Screw at the Royal Opera House

Von Eleanor Knight, 26. März 2026

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

mehr

*****

London

26. März 2026

The Turn of the Screw at RBO Linbury: Darkness and denial

Von Eleanor Knight

Dance People by Omar Rajeh © Tommy Ga-Ken Wan

Edinburgh

Who are the Dance People? All of us!

Von Kathy Elgin, 10. August 2025

At an hour and three-quarters, Dance People was over-long and the slogan-ising brought it dangerously close to being yet another show fulfilling all the vaguely right-on aims of this year's Festival.

***11

mehr

***11

Edinburgh

10. Aug. 2025

Who are the Dance People? All of us!

Von Kathy Elgin

Clémentine Margaine (Carmen) and Michael Fabiano (Don José) © Nina Wurtzel | Met Opera

New York City

French flair, American-style: Carrie Cracknell's Carmen returns to the Met

Von Kevin W Ng, 25. April 2024

An excellent cast led by Clémentine Margaine livens up the first revival of Carrie Cracknell's all-American Carmen at the Metropolitan Opera.

****1

mehr

****1

New York City

25. Apr. 2024

French flair, American-style: Cracknell's Carmen returns to the Met

Von Kevin W Ng

Jonathan Goddard as Frankenstein in Mark Bruce's Frankenstein © Mark Bruce

London

Mark Bruce Company: a double bill that does not fail to absorb

Von Graham Watts, 26. März 2024

Greek Mythology and German Expressionism enliven the great gothic horror story.

****1

mehr

****1

London

26. März 2024

Mark Bruce Company: a double bill that does not fail to absorb

Von Graham Watts

Rafael Davila (Don José) and Aigul Akhmetshina (Carmen) © Ken Howard | Met Opera

New York City

Aigul Akhmetshina leads powerhouse cast in the Met’s contemporary new Carmen

Von Susan Stempleski, 31. Dezember 2023

Carrie Cracknell’s modernized take on Bizet’s 1875 iconic opera moves the action from early 19th-century Spain to a 21st-century American industrial town.

****1

mehr

****1

New York City

31. Dez. 2023

Aigul Akhmetshina leads powerhouse cast in the Met’s new Carmen

Von Susan Stempleski

Norwich

Kill or be killed: Gluck's Iphigénie en Tauride, ETO

Von Charlotte Valori, 23. März 2016

English Touring Opera gives Gluck's reformist masterpiece a suitably blood-spattered outing in a production which keeps the opera in touch with its classical roots.

***11

mehr

***11

Norwich

23. März 2016

Kill or be killed: Gluck's Iphigénie en Tauride

Von Charlotte Valori

London

Something old, something new: Donizetti's Pia de' Tolomei, English Touring Opera

Von Charlotte Valori, 10. März 2016

Donizetti's back catalogue proves just as rich as his well-loved works, with this blisteringly good foray into an extraordinary opera whose UK premiere is 179 undeserved years late.

*****

mehr

*****

London

10. März 2016

Something old, something new: Donizetti's Pia de' Tolomei

Von Charlotte Valori