Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Jan Casier

Spuck’s Leonce and Lena is a feel-good treat that lifts the spirits measurably and makes a fine case for the modern genre.

Marking a century after Vaslav Nijinsky’s last solo performance, Marco Goecke’s ballet gives a new dynamic to the name and story of the legendary Polish-born Russian dancer.

Edward Clug’s choreography is consistently imaginative and powerful, and exceptionally ambitious in the case of “Faust”, which recently celebrated its world première in Zurich. 

The Zürich Ballet and Christian Spuck celebrate Georg Büchner’s anniversary with Woyzeck at the Zürich Opera House: a tragic ballet that perfectly balances emotion and form, abstraction and natural movement maintaining real life ambiguity.

Spring has sprung in London, and there was a definite taste of nature and things new abounding at the Coliseum in the first of two programmes by English National Ballet. In Beyond Ballets Russes 1 there is a ‘newly hatched’ bird, two very different ‘faunes’ and a freshly outfitted pagan ritual to the god of spring.