Finde Artikel | Katja Vaghi

Último helecho, by Nina Laisné, François Chaignaud and Nadia Larcher, is a profound reflection involving the identity of a population and the repercussions of the various influences that have been layered over time.

In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.

Fil rouge modernity for Sasha Waltz & Guests triple bill Sacre at the Haus der Berliner Festspiele.

Pink flamingos instead of white swans: nine new choreographic works by the Staatsballett dancers in Next Generation at the Tischlerei of the Deutsche Oper in Berlin.

Pondering upon society and the human condition: Marcos Morau’s Overture and Crystal Pite’s Angels’ Atlas at the Staatsballett Berlin.

2 Chapters Love or love is a verb: León / Eyal for the second world premiere of the Staatsballett Berlin's 2023/24 season.

Only a couple of months after the reprise of Körper and Kreatur, Rauschen, Sasha Waltz' & Guests' new marathon of images, talks of robots, confessions of violence and archaic tribes.

With nature as a a co-creator, Angela Schubot’s and Jared Gradinger’s The Nature of Us premieres at HAU.

Van Dijk | Eyal, is the Staatsballett's second programme of its newly acquired contemporary repertory: morphing bodies, subtly distorted, invite us to peak inside, exposing our most vulnerable sides.