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Glimmerglass’ Traviata: quality singing in a setting with novel accents

Von Edward Sava-Segal, 4. August 2019

Francesca Zambello sets the whole opera as a flashback, showing, during the prelude, the heroine surrounded by doctors and nurses in a sanatorium for patients dying from tuberculosis.

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Cooperstown

4. Aug. 2019

Quality singing in a setting with novel accents at Glimmerglass

Von Edward Sava-Segal

New York City

Trittico's 100th anniversary and Domingo's 50th celebrated at The Met

Von Robert Levine, 26. November 2018

All three operas in Puccini's triptych are strongly cast in this revival.

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New York City

26. Nov. 2018

Trittico's 100th anniversary and Domingo's 50th

Von Robert Levine

Washington

Venera Gimadieva leads a moving Traviata in DC

Von Ako Imamura, 21. Oktober 2018

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

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Washington

21. Okt. 2018

Venera Gimadieva leads a moving Traviata in DC

Von Ako Imamura

Madrid

Clarity and rhythm: Spanish première for Heggie's Dead Man Walking

Von Fernando Remiro, 29. Januar 2018

Jake Heggie's story of redemption captivated the Teatro Real audience thanks to a solid cast and an effective production

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Madrid

29. Jan. 2018

Spanish première for Heggie's Dead Man Walking

Von Fernando Remiro

San Francisco

Tutino's Two Women at San Francisco: multi-media heavy, but worth investigating

Von Paul Selar, 13. Juni 2015

Marco Tutino's Two Women at San Francisco Opera feels lacking in musical originality and its out-of-date accompanying taste of re-heated Italian verismo comes a little over-cooked.

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***11

San Francisco

13. Juni 2015

Tutino's Two Women at San Francisco

Von Paul Selar