Tutino's Two Women at San Francisco

Von Paul Selar, 18 Juni 2015

Laden, bitte warten...

Veranstaltung anzeigen

“mixed media images of war footage... drench the stage and proscenium scrim”

Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 13 Juni 2015

Tutino, La Ciociara (Two Women)

San Francisco Opera

Nicola Luisotti, Musikalische Leitung

Francesca Zambello, Regie

Jess Goldstein, Kostüme

Peter J. Davison, Bühnenbild

Sarah Shafer, Rosetta

Anna Caterina Antonacci, Cesira

Dimitri Pittas, Michele

Mark Delavan, Giovanni

San Francisco Opera Orchestra

Ein lohnenswerter Opernmarathon in San Francisco

Maria Nockin, 18th November

Diese Vorstellung war Sir Mark Elders Debüt mit der Kompanie und von der Ouvertüre an bot er seine individuelle Lesart der Partitur, mit einer enormen dynamischen Bandbreite und je nach den emotionalen Werten jeder Szene stark variierenden Tempi.

*****

Unmasking illusions: SF Opera’s Ballo mirrors life’s motley

Thomas May, 24th September

An excellent cast and smart, engaged direction make for an auspicious season launch in San Francisco Opera’s production of one of Verdi’s most sophisticated creations.

****1

San Francisco Opera's The Handmaid's Tale offers hope

Lois Silverstein, 14th September

John Fulljames directs a new production of Poul Ruders' uncompromising operatic take on Margaret Atwood’s celebrated novel.

****1

Antony and Cleopatra: Adams offers a Shakespeare speed-read

Mark Pullinger, 18th September

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

***11

San Francisco Opera offers a dark, powerful Rusalka

Edward Sava-Segal, 22nd June

Both vocally and instrumentally the performance was a high-class one

****1

Exquisite Handelian singing in San Francisco Opera's Orlando

Edward Sava-Segal, 21st June

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro.

****1

Weitere Kritiken...

Paul Selar

Also known as 'OperaChaser', Paul's passion for attending opera in performance spans 30 years. With a background in architecture and an unstoppable need to travel, Paul's foray into the world of reviewing started as Opera Australia's inaugural Critic-in-Training. He currently blogs at operachaser.blogspot.com.au.

Tutino's Two Women at San Francisco: multi-media heavy, but worth investigating