Termine Kritiken Artikel Video

Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Laura Jane Stanfield

4 von 4 Kritiken angezeigt

Lesen Sie Rezensionen in einer anderen Sprache: English

Die Wahrheit liegt in der Musik: Purcells Dido and Aeneas an der Royal Academy Opera

Von Rainer Zerbst, 27. Mai 2021

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

***11

London

27. Mai 2021

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Von Rainer Zerbst

Yolisa Ngwexana (The Blue Fairy) © David Monteith-Hodge | Photographise

Sacred and profane in Guildhall School's Respighi double bill

Von Susannah Moody, 6. November 2023

From the spiritual conversion of a Medieval sex-worker, to the Sleeping Beauty tale reimagined, Guildhall stages a Respighi double-bill.

***11

***11

London

6. Nov. 2023

Sacred and profane in Guildhall School's Respighi double bill

Von Susannah Moody

Mark Bautista (Raimondo) and Faryl Smith (Mariuccia) in I due timidi © David Monteith-Hodge

Picture perfect: a fine triple bill from the Guildhall School of Music and Drama

Von Dominic Lowe, 11. November 2022

Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.

****1

****1

London

11. Nov. 2022

Picture perfect: a fine triple bill from the Guildhall School

Von Dominic Lowe

Eccentric circles: a youthful take on Malcolm Williamson’s English Eccentrics

Von Matthew Rye, 7. September 2016

British Youth Opera revives a forgotten operatic entertainment from the 1960s with flair and professionalism.

****1

****1

London

7. Sept. 2016

Eccentric circles: a youthful take from BYO

Von Matthew Rye