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A Rossini comedy should sparkle, but this new production, starting its tour from Hackney, is decidedly lacking bubbles.

English Touring Opera open their autumn season with the first of two Singspiels. 

Rossini's Elisabetta, regina d'Inghilterra is a hard work to love and English Touring Opera's new production which launched at the Hackney Empire Theatre struggled to make a case for regular outings.

Venables conceived a wealth of acoustic and visual components that constantly overlap and interact.

A spirited and seamless production of Strauss’s Ariadne is aided by some excellent singing and playing at London’s premier summer opera festival.

An intimate setting for the 18th-century work do from hell.

Antony McDonald’s take on Ariadne auf Naxos, a co-production from Scottish Opera and Opera Holland Park, sparkles with wit. 

Strong casting but intrusive direction makes this Fidelio a bizarrely intriguing experience, salvaged by some memorable singing. 

Inventive comedy and excellent musicality bring Sir Thomas Allen’s traditional production back to life.

Wonderful singing and playing liven up a slightly lifeless staging of Mozart's turbulent masterpiece. 

Philip Pullman's exotic adventure about a girl determined to follow her father's footsteps gets a gently magical outing with Sri-Lankan inspired shadow puppetry and a strong cast. 

The benefits of opera in concert are felt in Manchester with the BBC Philharmonic, with a performance of Beethoven's only opera, Fidelio. 

Scottish Opera's imaginative Orfeo ed Euridice is a well sung wild visial feast with added dancing thrown into the mix by Ashley Page. 

Carl Nielsen’s lively, genial nature permeated the whole performance of his "Espansiva" Symphony last night at the Barbican. 

Britten’s The Turn of the Screw, part of the London Symphony Orchestra’s contribution to the Britten 100 celebrations, was supposed to have been conducted by Sir Colin Davis; it was instead dedicated to his memory following his death last Sunday.

Despite a relatively easy-to-follow storyline, Mozart’s Le Nozze di Figaro is an opera that is hard to pull off entirely successfully. Musically, it requires enormous vigour from both cast and orchestra; dramatically, this opera buffa demands strong acting skills in order to eke out its moments of farce.